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Fire management lessons from Yellowstone

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Yellowstone National Park (YsNP) is located in the state of Wyoming in the US. Established in 1872, this Park is the first national park in the world.

Home to many geothermal features (as many as 10,000), YsNP has many types of ecosystem, with subalpine forests being dominant. It spans an area of 8,983 sq km, comprising lakes, canyons, rivers and mountain ranges. Yellowstone Lake, spread over 352.20 sq km, is one of the largest high-altitude lakes in North America and is centred over the Yellowstone Caldera, the largest super volcano in the continent.

Home to over 1,700 species of trees and 170 exotic plants, the Park also houses many number of conifer and lodgepole pine trees. Around 60 species of mammals including grey wolf, lynx, grizzly bears, American bison, black bear, elk, and mule deer, apart from various types of fish and 311 species of birds can be found here.

Wildfire is a natural part of most ecosystems and the plants found in Yellowstone have adapted in a variety of ways. Some species of fir, pine and spruce derive benefits from fires in regeneration, but suffer when big fires occur and kill the tree growth in vast areas. Consequently, fire was always looked upon as a destructive force but not many knew that they are, in fact, vital to the ecosystem. So until the 1970s, all such fires were suppressed, which led to an increase in dead and dying forests. This would later provide the fuel load for more fires which would be much harder, and in some cases, impossible to control.

The YsNP experienced the worst fires in the driest year of 1988, in which 3,210 sq km of forests was burnt in six big fires. The first fire started in mid July and continued in spite of good firefighting measures in place. Finally, the advent of snowfall in September, 1988 could extinguish the fire completely. This was when the government decided to set up a commission and adopted the American fire management policy in 1992.

The new policy focused on monitoring declining and dead wood quantities, soil and tree moisture, and the weather conditions to determine those areas most vulnerable to fire. This meant they would carry out 'controlled burns or prescribed fires' in order to avoid any further incidents. In high forests, control burns are done after deliberate removal of dead timber, the hazardous fuel pile, mechanically. This is called as 'hazardous fuels mechanical treatment', which gives the firefighters an opportunity to carefully control the area and quantity of wood destroyed by fire. The fuelwood load mechanically removed and taken out for public utility. Thanks to the new policy, the subsequent fires have been contained and extinguished successfully.

One can implement such an effective model in India too. Most of the times, we aren't aware of the root cause of such fires. Accumulated dead wood, flowered bamboo, other debris — all have been reasons for causing fires in Bhadra Tiger Reserve (TR) in 2004, Nagarahole TR in 2012 and Bandipur TR in 2014. Another reason is the quick invasion of weeds that lead to further complications. It is time Indian wildlife management realises the importance of reducing the fuelwood load in the protected areas by selectively removing dead wood from the areas prone to fires in addition to adopting controlled burning of potential sources.

It's highly necessary to put in a strong and effective fire management policy in place in order to deal with such situations. Learning from our past experiences with fires in forests would be highly beneficial. We should also have a plan to tackle the invasive growth of exotic weed species like lantana, eupatorium and parthenium as they restrict the growth of trees and grass.

Prevention is always better than cure. So, by putting such measures in place, we can not only save our precious forests, but also many animals and their equally precious habitats.


The eternal blockbusters

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Although India has a rich clothing heritage, fashion is a new industry as we look mostly to the West for inspiration. But if one goes back in time and takes a look at the Eastern influence on Indian fashion, there exists a rich fashion culture. They are not the modern silhouettes or fashionable cuts with fancy embellishments. Rather, they are the ornamental and classic hand block prints.

They say fashion evolves with time.But it is, more precisely, a cycle that is pedalling back in time. Hand block prints on fabrics, especially saris, have a history dating back to the 12th century and India was known to have the best artisans who painstakingly arranged the wooden blocks to make the beautiful saris look more elegant. However, with the invasion of Western screen printing machines, the art saw a decline. But it is not dead. The art is now reviving and so is the consciousness of the fashionistas, who are shelling out extra bucks to make a meaningful fashion statement.

The netted and machine embroidered saris are taking a backseat in the wardrobes of many fashionistas and the traditional handwoven, hand printed saris are seeing the light of the day more often than before. 'Sakhi', a sari boutique run by Chandra and Neeta, has growing requests from customers for hand block printed saris, even though they carry an expensive tag. The increasing demand has made the designers innovate this traditional art, which is now being extensively done on 'Kanjeevaram' saris too. Explains Neeta, "'Kanjeevaram' is considered the queen of saris, and what better than combining the traditional art with this queen?" The boutique is known to combine the modern discharge printing (reverse printing) with hand block printing, which is keeping many women on their toes to grab these exclusive saris. With a printing unit in both Bengaluru and Kolkata, the boutique works closely with traditional artisans to whom the art of hand block printing has been passed on from generations.

The saris here take a makeover combining 'Kalamkari' and hand block printing that are infused on handlooms like 'Mangalgari' and the traditional 'Kanjeevaram' silk. "A few collections have cotton body and 'zari' borders that inculcate hand block prints. This breaks away from the monotonous look of the nine yard wonder," she says.

Merryn Mathew, the owner of 'Iha', works exclusively on handwoven saris after staying connected with the traditional weavers. She opines that hand block printing is still a dying art as these prints are being easily replicated by the screen prints. "Hand block printing requires expertise; there can even be flaws in hand block printed fabrics. But the art is painstaking. It is slow when compared to machine printing. The labourers too are not making much out of it, which is the reason for the dying artisans and the art itself," Merryn explains.However, she adds that there are, if not many, a few women who appreciate hand block prints as they understand the complications of the art. She has customers who come looking specially for hand block printed saris and she says, "The demand has not elevated. Yet there are a few people, very recently the youngsters, who do not mind shelling out extra money to own these saris."

ShanthiRao, the owner of 'Devaki's', has been tracing innovative hand block prints for the past 18 years now. Keeping her eyes open for inspiration for these designs, she sources handloom fabrics from a local vendor in the City and works closely with artistically inclined, skilled labourers. "I have many customers who still look forward to buying hand block printed saris. While the artisans are moving on to taking up lucrative jobs, there are a few who still remain loyal to the art. We, at Devaki's, do hand block printing on cotton, other handlooms and rougher silk saris," she says. With a few designers in the City, who are gradually growing in number, the homespun prints are finding love among fashionistas who want to make a traditional yet stylish fashion statement.

Beat it with Beetle

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Like most young boys, Narendra P Raj too had a fascination for cars and more so for the vintage ones. From owning a yellow toy Beetle, which his uncle bought him in 1979, to owning a 1969 Volkswagen Beetle in 2005, life has come a full circle for him.

As Narendra grew up, he began to wear many hats but his love for the Beetle remained unchanged. Armed with the dream of owning a Volkswagen at some point, Narendra went to the USA to finish his Masters in robotics.

He graduated from the MIT Sloan School of Management. Now, he is also a student
pilot and is learning to fly a Cessna aircraft. After returning to India and hearing nuggets about cars, his passion for vehicles fuelled even more.

His dream came true in 2005 when he found out that someone in town was selling a Beetle. Narendra restored it with the help of a mechanic and since then, it has been an iconic part of the family. He drives the car quite often around town, inviting numerous stares and strangers who take pictures with his car and ask him the story behind it.

He says, "The first question people always ask me is whether the car runs on petrol or diesel. Many times, people take away their car from the parking lot and give me space for my car because they know that a vintage car takes up space. I am happy that others understand the charm of a vintage car as well. Whenever I drive my vintage car to the mall and the security guards check the boot, they always smile, looking at my Beetle's rear engine."

Though the roads are in a bad condition, Narendra makes sure that he drives it around town often and says that the very fact that his Beetle has stayed on for a long time now speaks of the strength of the German design.

He forgets about the traffic and raucous vehicles when he is driving his car. As someone who owns the latest cars as well, he says that they are easy, comfortable, powerful and safe.

"Nevertheless, the older cars have a soul. My Beetle never lets me down. It may stop in front of my house but it has never stopped on the road. I feel that it has a mind of its own. My son loves the Beetle too and every morning, he asks me to drive him in it."

But as much as he is passionate about vintage cars, he loves restoring them equally.
He adds, "I have imported a lot of parts from abroad and have cartons of items like spare engines and clutches. It's quite an addictive interest and I go through a sleepless night if there is anything wrong with my car."

He is also one of the co-founders of the Beetle Club which meets up often at Cubbon Park and is happy to see that today, youngsters share the same passion for vintage cars.

"Social media has democratised everything. People avail information on where to buy cars, how to source parts and whom to buy from through groups on Facebook. Many also have disposable income and end up collecting vintage cars. It's not a bad hobby," he says.

"Car restoration is also becoming popular. We are passionate and do it ourselves and anyone can learn the process if they want to," he adds.

He wishes to share his love for the Beetle with the world and describes it as one of the most 'iconic vehicles in the world which can brighten up anyone's day'.

"The Beetle never fails to put a smile on anyone's face, wherever I go," he gushes.


(Narendra can be reached at narendra.raj@gmail.com)

Playing the tough cop

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After stealing the show with her empathic portrayal of Kashibai in 'Bajirao Mastani', Priyanka Chopra is back as a tough cop in 'Jai Gangaajal' and the actress says she is consciously opting for roles in Bollywood that represent the modern Indian woman.

She has established herself as one of the best performers of her generation of actresses in Hindi cinema besides a blossoming career in Hollywood that saw her becoming the first female star from India to front a US television show in 'Quantico'.

She is now all set to make her Hollywood film debut as the main villain opposite Dwayne Johnson in 'Baywatch'. Priyanka says she is consciously gravitating towards roles that have more to offer notwithstanding the length of the part.

"It was very important for me to play strong female characters in my films. I started doing that a long time ago, be it 'Kaminey' where I had just eight scenes, Jhilmil in 'Barfi!', 'Gunday', 'Saat Khoon Maaf' or Kashibai in 'Bajirao Mastani'. I try really hard to play strong women, who are a representation of modern Indian woman,'' Priyanka said.

Her next big screen outing 'Jai Gangaajal', directed by Prakash Jha, will see her playing a female cop fighting for justice in a corrupt, male-dominated place.

"It's a very interestingly layered character. Abha is very feminine and she has been thrown into this man's world where nobody takes her seriously even when she is Superintendent of Police, because she is a woman. She has been sent to this very male-dominated city where she has to put her foot down, making sure that she does not have to take the law in her hands at the same time.''

The film's fate will be clear only after its release on March 4 but the actress, 33, is hopeful that people will like the movie, which deals with issues like corruption in the system, feminism and farmers suicide.

A beautiful ensemble in store

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The Beer Puppets', an R&B and soul ensemble will perform on February 25, 8 pm, at BFlat, Indiranagar.

The band features Shreya Bhattacharya on vocals, Abhishek Dey on bass, Aman Mahajan on keyboard and Jeoraj George on drums. Shreya Bhattacharya and Avishek Dey are young musicians from Kolkata.

Shreya is known for her versatile singing techniques in jazz, 'RnB', gospel and Western classical. She has also worked in ensembles with bassist Steve Zerlin, guitarist Brian Meteryon and other legendary musicians. Abhishek Dey is widely known for his versatility and vocabulary in music. For details, visit bookmyshow.com

Sweet 'tea' of mine

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I have a full-time job that keeps me busy almost all the time but food has always been a big part of my life. Igrew up in a family where we dined out a lot and tried new recipes at home as well. I am a huge collector of cookbooks — I believe I own at least 75 cookbooks at home. It's almost like my bedtime reading book, there's always one on the side table. My favourite books are the ones with photographs as that gives me a good idea of how I can dish out when I try a recipe.

Because food is important to me, I started a blog in 2009 called 'The FoodPorn Diaries' where I document the recipes that I create. I've also started reviewing restaurants and there are a few travel stories on the page too.I manage my blog as a hobby. As I'm busy with my other work, I try to balance my time accordingly to take care of the blog as well. It is not always easy to do so, but I guess when you love something, you tend to set aside some time for it. And it doesn't feel so traumatic because you're doing what you love after all. I try not to overburden myself with work, so it's usually on the weekends that I post some recipe on the blog.

I take inspiration from the number of cookbooks Ihave in my bookshelf. Iusually refer to the 'Family Circle Encyclopedia of Cooking' that's written by multiple authors. For Indian recipes, I like Pushpesh Pant as he has some of the recipes we've forgotten about and even the ones that we never knew someone has even created. I alsolike Rachael Ray as she has a great way of creating the recipes in a fast and fulfilling way — it's easy to try one of them during the weekdays.

Nigella Lawson is also one of my favourites for her unique recipes. I can spend hours on Pinterest and Instagram browsing through recipes. Even though I refer to many recipes, I add my own twist to them as I wouldn't be able to find all the ingredients
listed. And I'm always up for short cuts!

I've always been associated with food as I would be my dad's personal sous chef even when Iwas just four or five years old. My dad would be the master chef who would make something unique and exotic while my mom would make the everyday dishes. Our dinner conversations would also revolve around food. We used to have this ritual at home where we would have our own 'chaat' party. We would fill the table with all the items we needed to make 'chaat' with and we would create our own. There was a time when I ate about 50 'pani puris' and my parents had to ask me to stop so that I don't fall sick. I think Ihave an iron gut because I was perfectly fine after all that!

Cooking and creating dishes has become a hobby for me and I'd like to keep it that way. I've never considered running my blog as a full-time opportunity as I have too many things I absolutely love doing. I don't want to dedicate all my time to doing just one thing. I've also evolved a lot in terms of what I present. I started off making heavy, creamy pasta and baked pies. But now I make more natural, seasonal, high-flavoured and low effort dishes. The recipe that I'm sharing today is of a 'Swedish Chocolate Cake'. It's a traditional Swedish Fika (tea time) cake which is a cross between a cake and a brownie. I was surprised the moment I saw that it takes just about eight minutes to bake. The cake needs to be gooey.

All it needs is a dusting of cocoa powder to make it look gorgeous. It's an absolute delight served with vanilla ice cream or whipped cream."


Swedish Chocolate Cake

Recipe

Ingredients

Cake flour 1 cup
Unsalted butter (melted and cooled) 10 tbsps
Plain breadcrumbs 3
tbsps
Sugar 1 cup
Eggs 2
Natural cocoa powder
7 tbsps
Vanilla extract 2 tsps
Salt 1/4 tsp

Method

Grease the cake tin with some butter, dust with the breadcrumbs and shake away the excess. Heat the oven at 200-degree celsius.

In a medium bowl, whisk together the melted butter, sugar, cocoa powder, vanilla and salt till well combined.

Add eggs one at a time and whisk until smooth.

Fold the flour into the batter until just combined. Pour into the cake tin.

Now bake for eight minutes. The cake should just form a skin but the center will still be gooey.

Transfer the pan to a rack and let the cake cool completely. You can pop it into the fridge to help unmould it.

If you are in a hurry, just scoop out a slice and serve with ice cream or whipped cream.

Swapna Venkatesh
(As told to Anila Kurian)
For details, log on to thefoodporndiaries.com


A step beyond fitness

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Keeping the body, mind and soul healthy has become a priority for many in the City. Health, irrespective of the form, is something that people wish to keep in good condition. Which is why, yoga has become such a popular option for fitness enthusiasts and those looking for some peace of mind.

And age is no bar when it comes to this form. Even the limbs of the elderly can be exercised with yoga. Jayanthi, a retired banker, is 65 years old but she doesn't complain of various aches and pains. Instead, she's a sprightly woman who enjoys her daily exercise routine — an hour-and-a-half of yoga, five days a week.

A part of the 'Jnaanayoga Mandira' yoga classes in MC Layout, Vijayanagar, she is just one of the numerous members who share a bond that extends beyond this informal
club.

When they meet, the members not only exercise but also share each others' burdens and happy memories.

Started by Triveni and Shivakumar, the classes are held at their residence. And although they could be earning a handsome rent, they have no commercial interest in it whatsoever. The big, ventilated hall has been turned in to a space for community service where they host two yoga classes a day, throughout the year, for free.

Says Jayanthi, who has been attending the classes for three to four years now, "I had been practicing yoga for many years but because of work and family commitments, I couldn't pursue it on a regular basis. After my retirement, I found this class and decided to take it more seriously. The classes have rejuvenated my body and mind."

She isn't the only one of this opinion. Although there are many other classes around the area, people flock to this one because of the teaching methodology and the informal bond it creates.

Jyothi, a retired lecturer, joined a little over two years ago. She mentions that she loves fitness and with these classes, she is not only able to stay physically fit, but mentally and spiritually as well.

"It feels like I'm a complete person now," she says. Divided into two batches — morning (from 6 am to 7 am) and evening (from 4.30 pm to 6 pm) — the classes are taught by two teachers — Kavya and Shambavi — who teach for free.

Says Kavya, "Many years back, I fell from the stairs and had a slip disc. After six months rest, the doctor advised me to do yoga. After a while, I began doing it regularly and started teaching as well."

She adds that she doesn't expect anything in return because the job gives her soul satisfaction.

For Vandana, the classes improved her psychological and physical flexibility. This is something that other members like Kusuma, Shashi, Chandrakla and Hema agree with. "I'm much more fit now," says Vandana.

After the classes, about 20 members hang out — they chat and eat together. This is something Jyothi describes as the 'katte balaga'. "There is a floating population but there is always at least 40 members. Of these, 20 (or so) of us hang out after class," says Shiela.

Sunitha initially joined the class to lose weight but she realised that there is more to yoga than she thought. "If I had joined the gym, there would have been side effects. Once you stop going to the gym, you tend to put on weight quickly. But with yoga, even if you don't lose weight, you are becoming healthier," she says.

So, whether it's to keep physically fit or be at peace, these classes are helping the members. They also share a bond that goes beyond daily exercises.

"You could say that I was coerced into joining this class but I don't regret it. I had many problems back then, but after doing yoga here, I got peace of mind and some friends to talk to," explains Jyothi.

Ananya Revanna
(For details, mail to jyojyon@gmail.com)

The power of words

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With every script he directs, he creates a healthy dialogue with the audience and uses the stage and theatre to bridge the gaps in communication. Director Ashish Sen is not someone who shies away from a powerful script and this time is no different, what with his latest production for the Deccan Herald Theatre Festival, '9 Jakhoo Hill'.

Written by Gurcharan Das, the play is set in the 1960s and talks of how change is the only constant. Relevant even today, it is an interesting play that looks at two families post the partition of India.

"In many ways, it is a play of our time. It is not just a play about the past; it talks of changing values. So although set in 1962, which in some ways was a watershed for many reasons, the kind of values we faced then are striking in the current context," explains Ashish.

In fact, it sharpens the relevance as it speaks of conflict — internal and external ones; from the point of view of an insider and an outsider. It handles social realism aptly and creates a sense of the transformative society. "In many ways, changing and changed values come to the forefront and are examined on a social, political and personal level. The play is a metaphor for war. It's not just a physical war that it talks of, but also in terms of dos and don'ts." Contemporary issues are looked at through the lens of conflict and transition, which is the essence of the play.

A regular at the Festival, Ashish's play is much awaited by enthusiastic audiences. Talking more about the narrative and the formation of the play, he says, "On one hand, the narrative is about the changing notions of an old family who were once refugees in post-Partition India, in Shimla. But the trajectory also brings in the lives of another family, who are also refugees and went to Bombay instead. And taking centre stage is the house, '9 Jakhoo Hill', where the conflict plays out."

Ashish has kept the essence of the powerful psycho-drama and says that the lines speak for themselves. "It plays with the memory angle, which sharpens in the current context."
The play will mark a first for Ashish — this is the first time he's working with his son, Mikhail Sen, on a production. Talking about the experience, he says, "We learnt a lot from each other." And on how the other cast members came in to the picture, he adds, "We had a range of interactions and one-on-one text readings with the actors. We had many texts in mind and these readings acted as a filtering process and who suited the roles."

Known for his works in the comedy genre, he wanted to try something new this time. But he mentions that there was no 'black and white' region for selecting the script. "I had read '9 Jakhoo Hill' many years back but when I revisited it this time, some images leapt out of 1962 and struck me with contemporary implications."

'9 Jakhoo Hill' will be performed at Ranga Shankara on March 4, Jagriti Theatre on March 5 and 6, and Chowdiah Memorial Hall on March 12, at 7.30 pm.
For tickets, visit www.bookmyshow.com or the Deccan Herald office, MG Road.



Inspiration on a platform

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In an effort to welcome women of excellence in diverse fields and inspire youngsters, Soroptimists International, a global service club of women honoured certain eminent personalities as honorary members of their service club.

Theatre artiste Arundhati Nag, sportswoman Ashwini Nachappa, writer Anita Nair and educationist and founder of 'Parikrama', Shukla Bose were recently felicitated.

The aim of the event was to inspire younger women and take forward their mission of social service, development and networking with professional women.

On the occasion, Ashwini Nachappa said, "Sports is a great way to bridge the gap and inspire women in our country. There are a lot of potential sportswomen in our country. I look at the honour as a stepping stone to bridge the gap between welfare for women and sports."

Making luxury sustainable

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Since the last two decades when she started her career as a fashion designer, Purvi Doshi has been trying to revive the traditional arts and crafts of India by using natural fabrics, dyes and hand embroidery for her label.

The intricate motifs and patterns that she uses are inspired from the folk arts of the country and of the Gujarat region she belongs to. However, her creations are an enchanting blend of Indian and Western designs.

"My label celebrates India's crafts and weaves by providing a contemporary and sustainable platform. It is an inspiration, which combines traditional techniques with contemporary designs moulded into nature-friendly art. It chronicles and restores heirloom traditions from the heart of our villages and fashions them into contemporary tales, collaborating closely with artisans and helping them create better livelihoods," says Purvi.

The designer, who has participated in many editions of Lakme Fashion Week, says that her creations reflect the intricate craftsmanship of India. She claims that the USP of her creations is the hand embroideries and the balance it creates in the garments.

"My creations are timeless pieces; a person would love to wear them even after 10 years of purchasing," she says.

She adds, "We work completely on natural resources, so there are certain limitations. We have restricted colours. Also, natural colours bleed; every new lot has a colour variation. But after all the difficulties, when we achieve success, it gives us great pleasure."
Purvi will soon be launching her latest collection called 'I Don't Care'.

Her line of designs comprises Indo-Western silhouettes and styles and colours ranging from hues of blue, green, red and orange.

Explaining the idea behind the collection, she says, "I Don't care = Sustainability + vegan + khadi + natural colours + love for planet + cruelty-free +hand embroideries. In simple words, it is a collection that expresses my love towards the planet and the other living beings. Be safe, wear safe, keep the world safe!"

Meanwhile, she suggests, "Move towards the fashion which loves you, pampers
you and cares for you.

Adapt sustainable fashion and help in making our world pollution-free and cruelty-free."

'Our passion keeps us going'

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Members of the De Lanerolle family in Sri Lanka have always been in the business of manufacturing and exporting tea. So, it came as a big surprise to the family when the sons — Rohan and Ishan De Lanerolle, decided to pursue their passion — music in a big way.

While the family business remained the priority and focus, Rohan and Ishan began learning and training in music. Sri Lanka doesn't have many venues and institutions offering lessons in music, points out Rohan, the eldest of the two.

"My family business required me to travel to London, so I used the opportunity to learn the techniques of music in music schools in London, which I passed onto my brother. This is the beginning. Today, we sing everything from pop, classical, western to sacred music," explain Rohan and Ishan who performed in the City, recently.

The brothers are proud about their repertoire. Without any support from their own country, the duo, have come along way. They have performed with some of the best names in the music industry such as four-time Grammy Award winner Olivia Newton John, jazz and blues singer Aaron Neville, The Bellamy Brothers, The 'Platters' featuring the legendary Monroe Powell and British singers Helen Massey, Sarah Johnson and Sara Hague to mention a few. "I am always amazed by the vast talent around us. There's so much world music and we get asked all the time how we keep pace with the competition. But, I wouldn't like to call the music scenario competitive. Each musician and band, is unique and different, in their own way. There's so much to share with each other," adds Ishan.

The brothers are on vocals and are always accompanied by Niranjan de Silva on the piano. While Rohan practices whenever he manages to grab sometime between his work and travel, Ishan is constantly in touch with music because he teaches a small group of students in his house. "There are no organised music schools or institutions that teach music, so Ishan teaches a bunch of interested students at home and this way, he stays in touch with music. We never get time to practice closer to our music tours. Finding time is always a challenge," they say.

Rohan thinks it is important to keep their voices in perfect condition. "Just like a machine needs oil and good maintenance for a smooth run, our passion keeps us going," he adds.

All their concerts are interactive and thoroughly engaging. "I believe music is like a dialogue between the performer and the audience. There's a lot of communication is music, so we always get members of the audience, to sing along," adds Rohan.

This is not the first that the brothers have flown into the City. "We have performed in Bengaluru several times on invitation from different institutions and everytime we've performed here I've found the audience to be very well-informed. They understand our music," Rohan says.

The 'De Lanerolle Brothers' will soon make the Australian debut, later this year and also perform in Malaysia, London and Singapore.

I tend towards existential nihilism'

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A little away from the 'muttha' and 'gurukul', a group of young boys, wrapped in white 'panches' and sporting neat 'juttus', ran barefoot, playing cricket. In the heat of the moment, a stream of profane language escaped their lips and it quickly mixed with the Sanskrit chants and bell chimes that hung in the background.

The ease with which these two opposites merged surprised Kannada film director Suneel Raghavendra and caught him off guard.

"It was fantastic! I visited the 'muttha', which also had a 'gurukul', for a friend's wedding when we saw these kids. They were dressed in traditional garb, but were using words that aren't meant for children. It was a complete environment, and it felt like the kids belonged there. But I wondered what would happen if they were placed in a different environment," he explains. This is when the seed for his movie 'Puta Tirugisi Nodi' was planted. "The idea was to take a character and put them in a place they are uncomfortable with."

He then watered this seed with existential nihilism, with questions like 'What is the meaning of life' and 'What are we aiming for', and watched as the character of Mohan grew. "Mohan is a promising cricketer who looks like he might break into the national team, but an injury puts an end to his career. Instead of treating it like a tragedy, the film starts with Mohan saying 'So what? A person can have many dreams. If one dream goes away, there are others we can follow'." It paints a picture of Mohan as a man with many dreams and loves.

Looking at the world from a strictly materialistic point of view and the various societal binds, Suneel examines how far a person is willing to go to fulfill a dream.

"I tend towards existential nihilism, and in that sense nothing matters anyway. But from a realistic point of view of an individual's life, I wanted to see what 'success' means to a person. When I was studying engineering, I went through a hard time because I was barely interested in the subject and pressure from family and society added to it. And I knew many people who committed suicide. This is something that upsets me because we don't take mental health seriously in this country, when compared to being successful." These were just a few of the things that were running through his head at the time.
Taking the example of tennis star Roger Federer, Suneel wonders how success is measured.

"I wonder what people like him think — they reach their 'peak' when they are just 28 or 29 years old. At that age, I barely had a clue about how to approach the film. This made me think, what does 'being settled' mean?"

The other themes the pluralist touches upon include orthodoxy of a community and caste.

A blooming idea

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A nine-to-five job never appealed to Akanksha Joshi, she knew she wanted to do something different. She wanted to work on something that she was passionate about. "I didn't like the idea of a regular job as we are a nuclear family and being there for my kids was important," she says.

Crafting is something that came to her naturally — ever since she was a child, she has been interested in the arts. Something that started as a hobby soon, turned into a full time career for the budding entrepreneur. 'Two Little Blossoms' was started two years back and since then, she has tried her hands at various crafting and art techniques.

"Initially, I used to work on upcycling and recycling. It wasn't a conscious decision to craft although I've always enjoyed it, I just wanted to use some material that I had lying around at home." She began making hair accessories out of old cloth and upcycled used jars and bottles to make lamps.

Intricate designs and colourful patterns primarily make her collection. Along with crafting, Akanksha also took a liking to painting portraits, something she wasn't very confident of. A self-taught artist, she credits the internet for giving her the right tutelage. "I never had time for classes because I had kids running about the house," she explains.

At the moment, her portraits are in high demand although she has no formal training in it. "People are very encouraging and they love what I do. Portraits take time to make and I have orders pending, but people really appreciate the work done." She also hopes to teach her children some techniques as it has enriched her life.

After recycled art, she moved on to techniques like decoupage, crochet, jewellery making and more.

Her decoupage art is a bit different from what you see everyday because, "Instead of tissue I use old cloth and crochet work. This isn't a technique that is very popular yet."
Talking about why she likes crafting, Akanksha says, "It's an endless process. You can create anything from anything. There aren't any hard and fast rules that you have to follow, so you can mix and match different materials and techniques to make something of your own. There isn't a 'right' and 'wrong' so you can be as imaginative as possible."

These endless possibilities keep her entangled in the process so she sees herself doing it for the rest of her life. With sufficient freedom to move and experiment, she doesn't feel claustrophobic. And as she is a quick learner, she picks up new techniques with ease. "I love to learn and adapt to situations," she explains.

The small wonders

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Creativity comes in different ways to people. And creative people never fail to surprise others with their quirky ideas and innovations. Aimee Rajan is one of them who constantly works towards challenging herself to improve and experiment with new things each time she creates a piece. Her forte lies in making miniature products with bakeable clay, while giving each of them a new look and twist.

She was merely 24 years old when she first started working with clay, to which she says, "The first time I worked with clay was when I came across an image of a miniature ice cream cone in 2014. My love for miniature things added to my curiosity to know more about how to create the same with clay. It is all self-taught and though I may have mastered the art, I still have so much to learn everyday.

With a few tools and a little clay, I initially experimented with miniature foods. Today, when I look at those first few pieces, I may cringe, but I try to think of them as stepping stones to what I am doing today."

Aimee started off by making tiny pieces for herself and as gifts for family and friends, which eventually led to 'All Things Clay', a venture she started in March last year.

She explains, "Once my friends and family got to know this side of mine, they started expressing their interest in my work and were ready to pay for my creations. Their appreciation and encouragement guided me to put serious thought into making this a viable business venture."

She adds, "Soon I started the process of making my dream a reality by coming up with a name, designing my own logo, and creating outlets on social media platforms like Facebook and Instagram — leading to the birth of the venture."

Currently, Aimee's most popular miniature pieces are the recreation showpieces and food magnets. Apart from which her expertise lies in creating various kinds of party favours, fridge magnets, keepsake cake toppers, key chains, jewellery and other novelty items.
Explaining the different materials used for her clay modelling, Aimee says, "Along with the bakeable clay, I use wires and baseboard, and since I make boxes for each piece, I use chipboard and try to personalise the packaging with the help of washi tapes."

It takes her about two weeks to finish an intricate piece like the recreation showpieces, however for a simpler model like a key chain or magnet, it takes her two to three days. The entire process isn't a child's play and the procedure (in a nutshell)
follows designing, sculpting, baking, detailing, glazing, photography, editing and finally
packaging.

What started as a hobby with a few basic tools, two blocks of clay, some eyeshadows and no oven, has today become popular among many craft lovers and a fulltime job for her. She also customises orders, and says that her customers always come first. "Most of the times my customers already have an idea of what they want. After listening to what they have in mind, I give them a few related options to choose from. It turns out that most of them look for the recreation showpiece to gift their loved ones on their special occasions. In fact, it acts as a great gifting option — personalised and unique in its own way," says Aimee.

About the feedback she has received since the inception of 'All Things Clay', "So far I have received positive feedback from my customers. When they tell me that the piece made them and the recipient smile the whole day, it inspires me even more. My friends and family have always been my biggest fans. Their support and encouragement plays a huge role in what I have achieved till now. 'All Things Clay' is an infant and in its first stage of what is hopefully an entity in the near future. I consider myself blessed to be able to do something that I am so passionate about," says Aimee.
For details, contact Aimee at allthingsclay@hotmail.com

Fighting injustice all the way

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Actors have relished playing roles that emphasise the strength of women.
The latest to join the list is Sandalwood actor Sruthi Hariharan, whose forthcoming project 'Urvi' is about how women rise to the occasion in an urban setting.


The actress doesn't like to call 'Urvi' a woman-oriented film. "'Urvi', which translates to 'goddess of circumstance', features five women of different age groups, who battle with issues that are very specific to city life," she explains.

The director has pegged some of these situations on real incidents. "There are very serious issues — objectification of women and women who sell their bodies to make some money — that are dealt with in the film. These are things that are happening and I have always wondered why people shy away from talking about it? This film not only highlights such issues but also offers possible solutions to them," explains Sruthi.

She plays the character of Asha and in Sruthi's words 'is a bold and upright role'. "Asha is an orphan but she doesn't brood over her state or worry about her life. She not only works hard to fend for herself but also lends support to women caught in a similar situation. In fact, Asha defines and gives the word 'revolt' and 'revolution' a definite meaning and direction," states Sruthi.

She also points out that every one of the characters are distinct and has a purpose for being in the frame.

"There's a goddess in every woman and the movie also shows how that goddess comes alive and stands up against what's unjust and fights back," she adds. The script is written by Pradeep Varma.

The shooting for the film has started and one location is the Booth Bungalow in Tavarakere on the outskirts of the City.

"There's a thin line between realism and surrealism. The director has aesthetically mixed both these aspects and created a beautiful set. The house appears to be deserted from the outside but the interiors are transformed into a celebration of sorts," she observes.
Sruthi has also signed another Kannada film titled, 'Beautiful Manasugalu', which explores the impact of media on society and how things reported on news channels and newspapers play an important role in shaping people's opinions.

"Amidst all this drama, emerges a love story. I play the role of a woman who stands by her man in tough times and encourages him to fulfil his dreams," she adds.

The young actor is also on the panel of judges for a Kannada dance reality show, 'Dance Dance'.

"As a student, I have auditioned for some reality shows and now many years later, I find myself judging a similar show. It's a huge responsibility but I am enjoying it," she says.


The soap saga

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Her fascination for soap making started when Nicola Goveas realised that many skin care products we find today have harmful chemicals that can damage the skin of an individual. In order to give people a touch of nature she started her small venture — 'Estrava' — that specialises not just in natural soaps but also other body essentials like face and body scrubs, lotions and lip balms.

Apart from making soaps Nicola also involves herself in a lot of handcrafts like knitting, decoupage and candle making to name a few.

Recalling how she got interested in making soaps Nicola says, "I make a lot of handcrafted decoratives during Christmas. One year, Imet one of my sister-in-law's friends who made soaps and thought that they could be a quirky addition to my list. I started ordering soaps from her and sold them during Christmas. That's when my sister-in-law convinced me to learn the art of soap making, so that I can make my own soaps. It has been a year and a half since I have been making and creating homemade soaps, but the official inauguration of the physical store happened in the month of January this year."

Explaining the name Estrava she says, "When Iwas looking for a name for my venture, my friends and I came across many names but we couldnt find anything that was appealing and sounded appropriate for my range of products. After much search, we decided on the word Estrava which means, extravagant fragrance and it also sums up to exactly what I want to convey."

All her soaps, she says have exotic natural ingredients, "I mostly use natural oils like coconut, almond and olive oil while making soaps, and use essential oils for fragrance. There are no extra artificial colours used during the preparation."

One can find an array of soaps at Estrava, ranging from orange extracts, lemon, charcoal, Shea butter, green clay, aloe vera to cucumber extracts. All of them have their own rich skin benefits. As for the scrubs, she largely uses green clay, oat meal and coffee.

Some of the skin problems that these soaps cater to are dry skin during winters, skin allergies due to pollution and they help in moisturising the skin.

"Since these soaps are homemade and the fact that they are all made of natural ingredients, there is absolutely no worries of any kind of harmful effects unlike the ones in the market," she says.

Before launching the physical store, Nicola used to craft the soaps at her kitchen. However, now they use the space behind the store as a workshop that is engaged in much of the preparations.

Though the City today sees a lot of homemade soap making ventures coming up every second day, Nicola says she doesnt feel any kind of threat to her business from anyone.
"There is no competition as such; I have a lot of customers who have come back to me with positive feedback. These soaps and other body essentials are not just for personal use, but their affordable price ranging from Rs. 70 to Rs. 300 also makes them a great gifting option for birthdays, anniversaries and festivals," she adds.

The language of unity

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Upfront, the Israeli boys of the jazz band 'Katamon Cherry' are a reserved lot but once one hears their piercing tunes, which have traversed far and wide, they realise that they are a matchless league of their own.

Clear in rhythm and artfully arranged in all its specificities and dimensions, the band's music dances out of their soul, reminding one of happy images.

The four suave musicians — Elad Gellert the saxophonist, Adam Weingrod the guitarist, David Michaeli the bassist and Haim Peskoff the drummer — unanimously agree that jazz never went out of fashion at any point.

Like an organism, jazz always changed, shifted and grew. And though primarily a jazz band, the four are equally influenced by regional flavours as they breathe a blend of Oriental melodies, Arabic tunes and German harmonies, everyday in Jerusalem.

The quartet is tired after a hectic concert in Chennai but gurgle like a stream when they settle down to talk about their band before their performance at BFlat.

Here for the fifth annual edition of the 'Global Isai Festival 2016' and supported by the Consulate General of the State of Israel and Exodus, they all have been munching on South Indian 'thalis' in between their performances.

An all-instrumental troupe, the four have studied jazz and came together to form 'Katamon Cherry' a few years back. Adam adds, "Somehow, you always know the jazz musicians in Israel. There is a growing jazz scene, especially in Jerusalem and Tel Aviv, but it's still niche as compared to mainstream rock and pop. Jazz music is more prominent in the independent circuit back home."

David has always found the audience outside Israel better and Adam was happy to see a larger audience for jazz here as compared to his first tour to Bengaluru last year.
The reaction to their music was quite heart-warming for them as well.

He recalls that their setup surprised and shocked a major chunk of the Indian audience as the band is devoid of vocalists.

He adds, "People would set up microphones for our gig but we didn't use any of them. It was something new to the audience here because
maybe there is a vocalist in every Indian concert.

However, that surprised me as there are so many instrumentalists in Indian classical concerts too and I found it weird that they were shocked."
Back in Israel, 'Katamon Cherry's' shows always depend on the venue, showbiz and political situations as "Israel is a tricky place."

Adam says, "The political situation in Israel makes less people come to gigs sometimes and that's sad. We just try not to get caught up with it and move on. In many ways, we are our own audience." So for the quartet, music has always been a form of escapism and a medium to exercise their suspension of disbelief, having grown up in a place of troubled waters.

However, it is these troubled times that influence their music subconsciously.
Elad says, "We consider music as a universal language that binds people together and try to keep our music very pure. Everyday when we walk around and there is tension in the atmosphere, everyone resorts to an art form. It's music for us."

Logging in to learn

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A photo album on Facebook, with 16,16,572 shares, explains the world's economy using just two cows. One photo describes fascism as 'when you have two cows, the State takes both and sells you some milk' and another, the American corporation as having two cows, and 'you sell one and force the other to produce the milk of four cows. Later, you hire a consultant to analyse why the cow has died'. Not only does this tickle your sense of humour but it also uses a simple analogy to explain theory-heavy topics.

There are many such posts, websites and education apps that use different techniques and narratives to make teaching and learning a more interactive and fun experience. This is why many people in the City are turning to social networking sites and the internet space to supplement their knowledge on various issues. In addition to traditional forms of education, which is the base, online forums act as alternative sources to replenish the mind.

Anindhita R, who works with a publishing house, uses 'Duolingo' to learn Italian. But, as she explains, "I use it only to brush up on what I had already learnt in college." With her knowledge of the language, she hopes to visit Italy next year with a friend. "I used to go for Italian language classes in college, but now, I use language apps on my phone to keep myself updated as I don't have time to attend regular classes. When I go to Italy next year, I hope I'll be able to communicate in Italian," she adds.

Not restricted to one subject, the internet gives people a chance to learn as much as they can take in. Pooja Rathee, an English language trainer, uses such platforms and groups to improve her teaching methods. Instead of textbook methods, she has a variety of tricks in her bag. "Since I teach adults, I can't use traditional teaching methods as they expect more. I can't be methodical. Instead, I need to bring in analytical elements to my curriculum and be interactive. The internet acts as a way to share and exchange information with people across the globe." From Pinterest grabs to online groups, there are different ways she comes up with her worksheets and programmes.

The variety of free-flowing material available is something that appeals to everyone. "If I know a 100 teaching methods, there are a 1,000 more that I don't know of," says Pooja. There are memes and posts that educate people on everything, from grammar usage to scientific concepts.

Many parents are also using the internet to supplement their child's education. Vinita Kaul and Satya Mitra prefer downloading worksheets for their two sons Agastya and Vihaan, instead of sending them to extra-curricular classes and summer camps. "We give them the freedom to learn at a pace they like. These days, children attend so many classes, along with school, that they have no time for anything else. It's a routine. We'd rather they learn something they want and not what we want," says Vinita. As both the kids like drawing, she picks up drawing worksheets from the internet for them. She also suggests sites like 'Khan Academy', which provide a detailed curriculum on many subjects.
It's not just parents who use the internet — Gomti Sampat explains that the teachers at her kids' school ask the children to refer to certain sites for reference.

While this bombards children with a lot of information and opinions, parents say that this is needed in the increasingly competitive world. Gomti also mentions that it's better for her children, Ruchi and Ishita, to know what's happening around them than sticking to a textbook. "And we monitor what the kids are doing online. There is a given time they get to use the internet and we make sure it's for educational purposes," she adds.

They call the shorts!

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Actors Manoj Bajpayee and Radhika Apte are set to star in filmmaker Shirish Kunder's upcoming debut short film 'Kriti', which will be a psychological thriller. The 15-minute film will also star actress Neha Sharma.

Shirish, who made his directorial debut with 'Jaan-E-Mann' in 2006, feels short movies have more scope to tell edgy stories than full length commercial films, which takes time to make. "Yes I am making a short film. I decided to do it as I am very much interested in the digital space. Feature films take time to make and then to finally release," Shirish said.

"Short films involve telling exciting and edgy stories. They are also watched a lot today. The length may be less but they have tremendous exposure." The 42-year-old director said the movie will have an all-film crew working on it to give it a feel of a feature.

Interestingly, both Bajpayee and Radhika have featured separately in short films earlier. While the 'Aligarh' actor was there in 'Jai Hind' and 'Taandav', the 'Badlapur' actress starred in Sujoy Ghoshs 'Ahalya'. Shirish said he cast both of them because he needed strong actors to play the part but the fact that they had done short films did help.

"I needed good actors for the role. Since they had already done short films before so they were open to my idea, the convincing part was easy. I had to only approach Radhika because it was Manoj, who had asked me to make it. I am changing gears with this one. I have done lighter stuff earlier but this is intense and dark. So I needed actors like them who work from the inside and give it their best shot," the director said. The movie will go on floors by the end of this month and is scheduled to release on April 22.

Shirish is also working on his next feature film which will be a women-centric crime thriller, set in a small town. He last made 'Joker' starring Akshay Kumar in 2012.

Driving down the scenic hills

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Many have stayed back in the City for longer than they intended to because they fell in love with it. For Shradha Sethi and Prateek Jain from Dimapur, Nagaland, it was no different. They decided to make the City their home as they felt one with the place.

The couple live here with their one-year-old daughter Aarohi.
Prateek, who is an entrepreneur with retail branded stores, says that it is the lifestyle and the professionalism of the people that makes the couple feel at home here.

Born and brought up in Nagaland, the couple have roots in Rajasthan. However, they turn nostalgic when they talk about Nagaland and their days there.

"Though Kohima is the capital, Dimapur is the commercial hub. Fashion brands and lifestyle-related industries are centred around Dimapur," he says.

"When it comes to food habits and the lifestyle there, it is similar to the European culture. People are confined to small localities."

Describing the charm of Dimapur, she says, "It is a very green place and known for its flora and fauna. The people there are animal lovers."

Shradha explains that the people are generally happy with their lives.
Elaborating more on the way of life, Prateek says, "People there do not believe in saving for the future, hence they follow a grand lifestyle. Most houses are like mansions. Prestige is a big part of one's life there and people are used to having a gala time."
She says that when she came to the City in 2005, it was a bit difficult to adjust to the food habits.

"Our traditional diet is very different — we are used to eating rice and potato, but people in Dimapur eat just about anything."

"But now, here in the City, all kinds of food have become part of our routine," she adds with a smile.

Both Prateek and Shradha had worked elsewhere before they decided to make Bengaluru their home. They also point out that they find Bengalureans very trustable. "Most of the people here are genuine. They prefer to keep conversations straight and have no bad intentions."

People in the North-East too are quite like that, says Prateek. "Whenever someone promises to do something, it will be done and on time.

"Back home, we sleep much earlier, like around 7 pm, and wake up by 4 am. Work starts by 7 am, be it at corporate offices or small business places," he recollects.

The couple have adjusted completely to the fast-paced life here and doesn't mind experimenting with the multitude of cuisines here.

"From a variety of restaurants and a platter of culinary options to partying out, the City has something for everyone. We are regular visitors at the restaurants in Indiranagar, Koramangala and on Brigade Road. The options here are mind-boggling," says Prateek.

Shradha chips in, "Unlike Mumbai, one doesn't really need to plan much in advance to chill out. You can just hop, skip and jump to any place here."

Prateek is happy about how work and life is going in a smooth manner and is positive about their future here.

"I hope to expand my business very soon. That is how Bengaluru is — it is a city where growth is easy."

Shradha adds, "There is something about the air here. Anyone who comes to Bengaluru for a while will never be able to leave this place. And if they do, they will be back in no time. This is the charm of the City. Bengaluru has a very youthful spirit and we love it here!"

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