As Finance Minister Arun Jaitley considers different expectations for the Union Budget 2018-19, there is one sector that can help him hit the bullseye of accelerating GDP growth in the shortest possible time. Yes, the critically important real estate industry is a vessel that carries along with it housing, finance, construction, roads, steel and a multitude of other industries.

Given the governments dual mandate of sticking to a disciplined fiscal situation and pump-priming private sector capex, a budget boost to real estate is one of the easiest ways to achieve the desired outcome without tinkering government finances.

Raise housing loss set-off limit

We unequivocally believe that the housing loss set-off limit of Rs 2 lakh should be increased to levels that accurately reflect the ground realities. At present, a homeowner will only be able to set off such losses only up to Rs 2 lakh from income under the head income from house property. However, if the loss is more than Rs 2 lakh, it can be carried forward for eight subsequent years for set-off. Since housing loans go on for 20-30 years and rental income is generally lower, it is unlikely that rental income will suffice to absorb interest of the current year and the losses carried forward of the previous year. Raising the Rs 2 lakh limit will boost the confidence of property buyers and could set off a virtuous cycle of buying-building-growing for the real estate sector.

Lower GST rates for affordable housing

The governments Housing For All, RERA and affordable housing reforms have been far-sighted moves from an economic standpoint. Yet, the existing GST rates for affordable housing can cap the future gains. For the price-sensitive affordable homebuyer, every rupee counts. The Budget 2018 can take an affirmative step to make affordable housing truly pocket-friendly by reducing the 12% GST rate on affordable homes. The reduction in the same would provide a major boost to lower income group (LIG) and middle income group (MIG) buyers.

GST should subsume stamp duty

The landmark GST policy is helping India transform into a single unified market since July 2017. Currently, GST has subsumed service tax, VAT and other local taxes. However, stamp duty is out of the purview. The effective cost goes up by nearly 20% on the agreement value of the home. While stamp duty is a state tax, the central government has shown its resolve and execution skills by hammering out an agreement when it comes to state taxes previously. We hope that the Budget 2018 will take a step forward in subsuming stamp duty and benefit all stakeholders of the real estate sector.

Hike deduction for repayment of home loan principal

Home loans and EMIs are driving property purchases. The principal portion of the EMI paid for the year is allowed as a deduction under Section 80C. The maximum amount that can be claimed is up to Rs 1.5 lakh, which is, at present, inadequate. There is a need to hike this limit by Rs 50,000 to Rs 2 lakh. Considering the property prices in metro cities, there is a need to enhance this for housing properties immediately.

Higher budget allocation towards interest subsidy under PMAY

The Budget 2018 should also consider giving a boost by way of interest subsidy. In the financial year 2018 (FY18), about Rs 1,600 crore was disbursed towards interest subsidy schemes. This figure is low since it would fund only 80,000 such applications. Since affordable housing is a key agenda of the government, a higher interest subsidy under PMAY should be approved for FY19.

Lower tax for real estate AIFs

The real estate sector needs multiple sources of funding. Alternative investment funds (AIF) play a big role in financing. The Budget 2018 needs to lower the tax burden of real estate AIFs and promote a more vibrant investment vista for these investment vehicles. Overall taxation on any investment effectively is around 45% since the special purpose vehicle (SPV) pays tax at 34% and dividend payout or buyback is also taxed. As the government is giving a major push towards this sector, and since this vehicle provides long-term capital, there should be lower taxation for investors in real estate AIFs. Unlike a going concern or entity-level investments which are exited through sale of shares, real estate projects are exited through project cash flows. So, the significant tax burden on investors acts as a deterrent.

JDA taxation method for non-individuals

The joint development agreement (JDA) is a useful legal arrangement. However, there is ambiguity around the JDA method of taxability for assessees other than individuals and HUFs. The Budget 2018 should prescribe a clear pathway for this purpose. JDAs where the landowner (all assessees) receives constructed property (flats in the building constructed by the developer) in consideration of transferring development rights on land, the landowner should be taxed in the year in which he receives the constructed property. This will help in removing any confusion that exists in the marketplace. In conclusion, the Finance Minister is on the cusp of boosting and transforming the fortunes of the whole Indian economy with small changes in the countrys real estate market. Like always, we are confident that India will balance pragmatism with progress.

(The author is director & head,
Motilal Oswal Real Estate)

Travelling by road for about three hours in a comfortable van from a hotel in Hanoi to Halong Bay in north-east Vietnam on a day filled with overcast grey skies, our tour guide Tuong (we addressed him as Mr Tony) announced, "We will stop in about 20 minutes for a Harmony Break!

Having not heard this expression before, and being aware of the past civil war conflicts in the region, I thought: "Is it something to do with that? Well, it turns out that it was a well-needed restroom break to ensure we do not fight our bladders any more and reconcile to reach a state of inner harmony. That achieved, we hit the road again.

Having experienced in fair abundance the terrain and culture of a few Western nations in the continents of Europe, America and Australia, it was a long term desire and dream to visit countries that are distinctly different, and rich with their own history, culture, demography, people, food, fish and fruits. This we got on our 10-day voyage in Vietnam, Cambodia and Thailand.

After a quiet Christmas, my family and I travelled the next day from Bengaluru to Bangkok, to meet up with another key member of our family who flew in from Melbourne. After a one-hour- 45 minute flight from Suvarnabhumi Airport, Bangkok, we descended into Da Nang Airport. It was filled with Christmas decorations greeting us at every nook and corner. From there, we journeyed in a van on to Hoi An, a small city about 45 minutes away from Da Nang.

On day two, we explored Hoi An, a beautiful central coastal ancient town reflecting past and present cultures. From a blend of Chinese, Japanese and French cultures, a distinct Vietnamese lifestyle has emerged.

Our most exciting afternoon was spent walking around the day/night market along the Hoi An River. The market has it all â€" fresh produce, fruits (lots of mangoes) rice, cooked noodles in bags, vegetables, sea food and meat, souvenirs, candies - the whole lot displayed in a raw but most attractive style. Several hot and steamy food carts with built-in eating tables were located all over the market. Each of which were occupied by tourists and locals enjoying the delicacies the town had to offer. Cafes, bars and ancient homes gave the streets along the river plenty of character.

One particular ancient home, the famous Tan Ky House, was of great interest. It is built approximately 200 years ago and has had seven generations of the family live in that house. The other attractions included the 18th century Japanese covered wooden bridge, Chinese Assembly Halls, temples and much more. On the roads of the vibrant market, there was a steady stream of bicycle rickshaws with one or two passengers tring-tringing along the backdrop of hundreds of shops and ancient buildings painted pleasant rusty yellow.

Bargaining at the market is lot of fun. Women in straw hats sitting on the pavement or carrying weighing balances with baskets filled with fresh produce hanging down shouting one dollar were the dominant part of the market. On day three, walking through Cam Thanh Eco Water Coconut Village was personally highly fulfilling, as we ourselves hail from a village (Mittur) in the district of Kolar.

After spending two full days and nights in Hoi An, we flew north from Da Nang Airport to Hanoi. It is a crowded city with vibrant life. Most eye catching were the street dinners. Families and friends in fives or tens on the foot paths sat on tiny stools with small tables supporting hot woks on stoves cooking and eating freshly stir-fried noodles, rice, veggies or meat. What a way to bond! On day four, we left Hanoi along with our tour guide Mr Tony for a four hour drive towards Halong Bay. Before reaching there, we stopped by a famous pearl farm.

Our next stop was Tuan Chau International Marina, the entry port to catch a boat to witness an elegant natural wonder. Our boat Duc Phuong 68 sailed us for four hours in pristine emerald waters frequently and pleasantly interrupted by hundreds of limestone islands each filled with the greenery of rainforests and bird life. One island called Kissing Rocks to us was the most spectacular one.

Sumptuous lunch was served on the boat right before we climbed the steps of the Surprise Cave (Sung Sot). The colours and light made the small and big pockets of the cave highly spectacular. As we stepped out of the cave to get to our boat, we were greeted by the floating market vendors. We then stopped by another island called Ti Top and climbed the steps for a view of the incredible Halong Bay.

We spent the night in a nice hotel on the shores of Halong Bay. The next morning, we headed back to Hanoi with a break at Jade Factory. We had a look at the Jade products including the Lady Buddha (Goddess of Mercy). We arrived in Hanoi, visited the official governance area filled with mostly French-style Government buildings used by Ho Chi Minh. Located nearby a very large lake, it is also home to the biggest Pagoda of Buddhist religious significance built in sixth century and founded in 10th century. In its peaceful premises is an enormous peepal tree, the sapling of which was gifted and planted in 1959 by Rajendra Prasad, the first president of Republic of India.

After sipping Vietnamese regular coffee by the side of the lake we headed to the airport to catch a flight to our next country in the itinerary â€" The Kingdom of Kampuchea (Cambodia). In Vietnam, there is a distinct kind of coffee called Civet Cat Coffee (Kopi Luwak) a highly expensive product made from the coffee beans after the berries have been digested and purged out by palm civet cat found in Indonesia. Well, we did not try this as the regular coffee was good enough for us.

(The author can be contacted on mittur_jagadish@yahoo.co.in)

Abhishek Bansal, Executive Director, Pacific India Group

The real estate sector hopes that the Union Budget 2018-19 will help realty recovery. The ruling government has taken several new initiatives to accelerate economic growth and I hope that this trend continues with many more efforts to redress the plethora of pending issues in the realty sector. The most sought-after demand from the real estate sector is getting an industry status. This is something which is being asked for years so that funds can be easily availed for the purpose of long-term and short-term finances. This will also enable the sector to access loan at better interest rates.

With a competitive cost of funding, the benefit can easily be passed on to the customers. We also expect a single-window clearance system so that we can fulfill our promise of timely project delivery. In terms of financial instruments, what we expect is that the Reserve Bank of India should bring rules in order to direct implementation of lending rate policies that would benefit end users.

Ashish Shah, COO, Radius Developers

Given the governments focus on increasing transparency and building credibility in real estate, evident from the last budget, the expectations are simply higher. With RERA in place, we expect the government to implement more favourable reforms for speedier clearance to realise the potential of this important contributor to overall employment and GDP. The budget will certainly give homebuyers a reason to cheer with relaxed FDI norms for greater ease of doing business & incentives for first-time buyers.

Jaxay Shah, President, CREDAI National

The Union Budget 2018-19 will be the last test for the government on its promise of development. The real estate sector has borne the brunt of reforms. Demonetisation, RERA and GST have taken a toll on the ability of the real estate sector to sustain investment and growth. Its time for a healing touch to the sector inalienably tied to Housing for all by 2022. We expect deep concessions in income tax for homebuyers of at least Rs 5 lakh per annum. Housing is a basic necessity and yet subject to both GST at 18% and stamp duty of 8%. There is a case to bring GST in line with other merit goods. Lastly, the affordable housing segment must be allowed the full benefit of infrastructure status by providing appropriate means for land financing to private developers.

Surendra Hiranandani, CMD, House of Hiranandani

Presently, the GST rate applicable to the real estate industry (on the sale of flats) is 12% of the sales consideration. During the pre-GST era, the applicable rate of service tax was around 4.5% and a value-added tax (VAT) of 1% was also levied, resulting in total tax outgo of 5.5% of the sales consideration. In the GST regime, the input tax credit is available on taxes paid on materials bought for construction, which can be the adjusted against the GST liability.The effective tax rate post adjustment is quite high as compared to the old rate of 5.5%. Further, stamp duty continues to remain in force even after implementation of GST and the rates vary from state to state, which increases the costs for the consumer. We hope that the state governments abolish the same or merge with the existing GST rates. Owing to aforesaid factors, we feel that the present GST rate must be revisited and stamp duty should be abolished.

Kishore Bhatija, Managing Director, K Raheja Corp

2017 was certainly a year of change with the implementation of several reforms, which brought in consolidation and transparency in the sector. In 2018, we look forward to a budget with amendments that will boost the growth of the economy and that of the realty industry. Certain key areas like industry status to the full real estate industry, streamlining taxation norms for REITs, rationalisation of GST, stamp duty reduction or uniformity, implementation of single-window clearance, and clarity on input tax credit need to be addressed.

Amit Ramani, Founder & CEO, Awfis

Various path-breaking initiatives and policy reforms implemented by the government in 2017 have already paved a strong foundation for a new India by 2022. 2018 has started on a strong footing with positive momentum driving growth across different facets of the economy, especially since the execution dust of demonetisation and GST implementation has almost settled in. In 2018, the office and retail sector is expected to show higher returns in the Indian real estate sector. Institutional investments in the commercial real estate will be on an upsurge and shared workplaces will continue to grow with flexible leasing structures. We expect the budget to focus on smart city growth, infrastructure with a focus on commercial micro-markets and made in India-focused businesses.

Prashant Solomon, Managing Director, Chintels India and Hon. Treasurer, CREDAI NCR and Convenor of CREDAI National

It is expected that the Budget 2018-19 will focus more on infrastructure projects and housing sector this year. Some of the major issues that have been pending for some time now demand closure this year are granting of industry status to the sector, single-window clearance to reduce delays in the approval process, reduction in GST rates and corporate tax rates. I believe that the real potential of REITs is yet to be realised in India. The reduction in long-term capital gains holding period for REITs and streamlining of taxation norms will make it more attractive and incentivised for investors. REITs should be extended to the residential sector as well. The sector holds immense potential and investment opportunities. With the right reforms, it can not only address the future challenges to the society, but also go a long way in boosting the countrys economic confidence.

Ashwin Sheth, Chairman and Managing Director, Sheth Group

There are high expectations from the Union Budget 2018-19, especially since it will be the first in the GST era. A reform that has been long due is granting the industry status to the real estate sector for a proper overhaul. This move will complement the governments recent initiatives to bring some form of structure to the industry. While incentives have been provided to boost the affordable housing segment, there needs to be a reduction in the cost of land to incentivise developers to build budget homes. Additionally, interest rates on housing loans should be reduced to benefit a broader segment of homebuyers and increase demand.

Timely completion of projects has always been a concern, and a single-window clearance will help to swiftly execute projects making it a win-win situation for developers and homebuyers. As for the tax structure, adequate measures need to be taken to bring down the taxes paid by the average Indian to allow greater affordability. Reducing the stamp duty charges or bringing it under the ambit of GST in the lowest slab will bring about uniformity and make home-buying financially easy.

To provide relief to first-time homebuyers, we expect a deduction of Rs 50,000 under section 80EE of the Income Tax Act on loans sanctioned post-March 2017 as well. Clarifying the taxation norms for REITs is the need of the hour for listings to start flowing in as it will benefit the entire sector by the large bandwidth of investors.

Tushad Dubash, Director, Duville Estates

Demonetisation, RERA and GST have brought out many changes in the real estate indsutry. These changes have some positives and ambiguities. The government would do well to ring in some changes that make taxation issues fairly clear like one-window clearances or uniform tax slabs, which from a customer standpoint, will provide a fillip to those homebuyers who have been postponing their purchase decisions due to various reasons. It would help significantly to reduce income tax rates too.

I also feel that the customer buying preference would move towards those players who are well-capitalised and whose construction finances have been well-secured. From a builder standpoint, one remains hopeful of a further reduction of GST on under-construction projects to help accelerate demand. There should also be incentives for construction of green buildings, keeping in mind the challenges to the environment. The government should also offer higher FSI and exemptions to promote green sustainable developments.

Samyak Jain, Director, Siddha Group

The clearance and approval process for real estate projects needs further improvements. With RERA already in place, a single-window clearance system is now the need of the hour that will ensure faster approvals, which in turn, will help developers to deliver projects on time. The realty sector is one of the significant contributors of GDP, hence the much-needed industry status will help developers gain finances at lower rates, and in turn, reduce the project costs which will help push the demand.

Additionally, a change in the incentives for first-time home buyers such as increasing the current tax exemption limit from Rs 50,000 to Rs 2 lakh will boost the confidence of first time homebuyer and will also help improve the buyers sentiments. The announcements to be made at the upcoming budget will be crucial as it is the first budget post the implementation of the unified tax regime, GST. Even though the government has taken a positive stance towards a more transparent and regulated real estate sector, there are still several policy-related changes that can make a significant difference.

Sankey Prasad, Chairman and Managing Director, Synergy Property Development Services

With the implementation of RERA, REIT and GST last year, the real estate sector continues to be in the limelight this year. From the upcoming Budget 2018, the biggest expectation would be the inclusion of the sector in entirety under the GST regime, and not just the properties under-construction, as is the case now. Also, it is expected that the Budget will cut down the long-term capital gains holding period for REITs from three years to one year. This would bring the investment opportunity at par with equity investments and would make REITs more palatable to investors.

While the Government has already taken several steps to make housing affordable, the Budget could introduce a certain percentage of tax on holding on to inventory after all aspects of building construction are complete, and the occupancy certificate has been obtained. The real estate sector may be granted industry status, which will help the sector to access long-term financing at lower costs. The recent move allowing 100% FDI under automatic route in construction development by the government is a growth driver for the country, as there is no any government approval required for the overseas investors.

When breasts and beaks reveal gender

The Himalayas, famous for their lofty mountains, are also home to more than 900 species of birds, 30 of which are found nowhere else. Scientists from India, Germany and USA have studied the characteristics of one such Himalayan songbird called the green-backed tit. The study found that male and female green-backed tits have different body and beak characters.

The green-backed tit is a small songbird that lives across the Himalayas and Taiwan. As the name suggests, they have green feathers on their wings and a black breast stripe running vertically from the throat to their belly, similar to the European great tits. Differences in breast stripes and beak sizes are known to exist between males and females of the well-studied European great tits.

But how different are they in green-backed tits? Can we identify the sex of these birds by just looking at their breast stripes and beak shapes? The researchers of this study have answered these questions by studying a western Himalayan population of green-backed tits.

The researchers measured breast stripe characteristics like colour and width in the birds. They were classified as male and female based on these characteristics. Genetic tests from these individuals later proved that the predictions were correct 97.9% of the time. The study also found a difference in beak lengths between males and females.

Origins of a manakins golden crown

Three related species of manakins occupy adjacent parcels of the Amazon rain forest: opal-crowned, snow-capped and golden-crowned. They are all plump like sparrows, small enough to cup in a hand and have radiant yellow-green upper bodies with golden undersides. Biologists are now unlocking the mystery of how these neighbouring birds became distinct species.

Recently, a team of scientists confirmed in Proceedings of the National Academy of Sciences that the golden-crowned manakin is a unique hybrid species that emerged from a cross between the opal-crowned and snow-capped manakins about 1,80,000 years ago. Though one-off mating events between different species occur across the animal kingdom, the establishment of an entirely separate hybrid species is thought to be relatively rare.

For a new species to occur, it has to become reproductively isolated, or form a stable population that no longer freely mixes with its parent species, said Alfredo Barrera-Guzmán, University of Toronto, Canada. Opal-crowned manakins wear an iridescent toupee. Snow-capped manakins are topped with bright glacial patches. And members of the hybrid species, the golden-crowned manakin, display a burst of yellow. Scientists found that the manakins warm crown comes from pigments called carotenoids, which they get from their diet.

Finding the oldest fossils of butterflies

Any curious kids who have caught a butterfly by hand, only to find their fingers coated in messy powder, have unknowingly brushed off the fluttering insects scales. These microscopic plates cover almost every part of a butterfly, and are what help paint their wings a variety of colours, from shimmering cobalt blues to patterns of orange and black.

While most people go to a garden if they want to see a butterflys scales in action, Timo van Eldijks, a Dutch researcher, search for wing scales required drilling more than 1,000 feet into the ground. Then, he extracted fossilised insect bits from black sludge using a probe tipped with human nose hair.

In a study published recently in the journal Science Advances, Timo and his colleagues uncovered approximately 200-million-year-old wing scales belonging to ancient members of the insect order Lepidoptera, which include butterflies and moths. "These scales are the oldest evidence of moths and butterflies," said Timo. "It extends the range to which we know butterflies existed by about 10 million years." The scales may also provide insight into the early evolution of the insects tubelike tongue, which they suggest evolved tens of millions of years before nectar-rich flowers existed.

Wolverine X

Finlands forests hide a mysterious creature - a dark shadow that has produced a comic book character. This X-beast is a wolverine, a powerful carnivore with a mythical fame.

Wildlife tracker and photographer, Antti Leinonen, spent 19 years in the wilderness of Finland and built up an unexpected image of one delicate, untamed community. He used every deceit to get a glimpse of the life of these secretive animals. Through his approach, the documentary Wolverine X exposes the wolverine in a way never seen before.

Disliked by the public, wolverine numbers have plummeted to precariously low levels. Spending lots of time hidden in the hide is the only way to observe wild wolverines. Over the years, his total commitment has built up an impressive photographic record. To watch the documentary, visit www.bit.ly/2Bdq8y6.

Keep chills and ills at bay with a delectable combination of turmeric and veggies. Maharaj Hemaram Choudhary, corporate chef at Rasovara in UB City, turns ancient Indian wisdom into a lip smacking dish known as Haldi Nu Shaak.

Ingredients

Whole raw turmeric - 250 gm. (7-8)

Cauliflower
Peas - 1 cup
Tomato - 4
Green chilli - 2-3
Ginger - 2 inch long piece
Curd - 400 gm (2 cup)
Ghee - 150 gm (2/3 cup)
Black pepper - 10
Cloves - 5
Cinnamon - 2 pieces
Cardamom - 4
Cumin seeds - 1/2 tea spoon
Hing - 2 pinch
Coriander powder - 2 tea spoon
Anise powder - 1 tea spoon
Salt - 1 tea spoon (according to the taste)
Coriander leaves - 1 table spoon (chopped)

Method

Wash the turmeric pieces, dry the water or wipe with a cloth, peel them and then grate them in a bowl.

Chop the cauliflower in small florets and pressure cook the same. Wash the tomatoes and cut them into big pieces. Separate the stems from green chilli and wash them.

Peel and wash the ginger and cut into big pieces.

Grind all the ingredients into the mixture and make a paste.

Cut two tomatoes into big pieces and keep them in a separate bowl.

Whisk the curd.

Grind the black pepper, cloves, cinnamon and cardamom in a grinder. Heat ghee in a pan and roast the grated turmeric on medium flame till it turns brown. Keep on stirring the turmeric while roasting it. Once the turmeric gets roasted take it out and keep aside .

Fry the peas in the same ghee and keep them in a separate small bowl.

Now temper the cumin seeds, hing into the remaining ghee. Once the cumin seeds gets roasted put ground masala, coriander powder and anise powder into it.

Roast the masala well and then add tomato paste, cauliflower and roast it again till the ghee starts to float at the top of the masala.

Add curd into the roasted masala and cook till it starts to boil. Put tomato pieces into the boiling curd, fried turmeric.

Cook by continuously stirring it with the spoon until the recipe starts to boil.

Add salt to it and cook the recipe for another 2-3 minutes. Turn off the flame.

Mix coriander leaves in the recipe and leave it covered for 10-15 minutes

If delectable food in pocket-friendly prices is whats on your checklist, then Bean Flickers is the place to head to. Located on the busy street of 12th Main Indiranagar, this cafe has been a favourite hangout spot for many foodies of the area.

A quaint place that can accommodate nearly 15 people, Bean Flickers has both indoor and outdoor seating arrangements. The wooden interior gives a very rustic and cosy feel, and with the three tables inside, there is enough room for one to move around.

This cafe has established a name for itself with its fresh patty burgers made with in-house spices. Most people also visit this place for its coffee which is again a great addition to the menu.

So while you enjoy your choice of coffee, you can glance through the elaborate menu, designed for all the food lovers.

You have options varying from coffees, colada and shakes to detox smoothies and teas in the beverage section. If you want to ditch the cuppa for another drink, you wont run out of options.

Coming to the food section, vegetarians can choose from a range of vegetarian delights. Spiced Potato Patty sub is a classic and is one of the fast moving items. Saute Mushroom is another sub you can try. The finely sautéd mushroom and the masala is indeed flavourful. In non-vegetarian, Chicken Salami is a good choice.

If you are a burger fan, the Mushroom Melt Cheesy Burger is a must try. All the cheese lovers out there, the soft melting cheese is sure to make your day. You can also ask for a meal, which comes with your choice of milkshake.

Seafood lovers fret not! There is something for you too. The Tuna sub is something you will like. If not, you can always look for the Special Fried Seafood Fillet sub. The subs are quite filling and just perfect for one person.

There are also sliders on the menu, so if you are in a mood to explore your taste buds, you can go for the mini bites section. Ask for a bowl of soup or salad with the sliders and you are done with your meal.

So if you are thinking of a cafe where you can sit back and relax after a long day at work, this place is a must-visit.

Bean Flickers is located at 1083,5th Cross, Opposite Corporation Bank, 12th Main, Indiranagar. For details, call 9995468962.

In a city like Bengaluru, places serving global cuisine are many but nothing beats the taste of good ol Indian food. If you share this sentiment, head over to Chefactory to indulge in a hearty meal.

The quick service and food delivery restaurant, which already had a branch in Marathahalli, recently opened two new branches in Whitefield and Jeevan Bima Nagar and dishes out an array of Indian and Indian fusion food. The place aims to make sure that desi cuisine is treated on par with its much touted global counterparts.

A compact place with a bright and pleasant black and orange theme, the outlet in Jeevan Bima Nagar is located just on the main road, making it easy to spot. Flip through the menu and take your pick from a variety of kebabs, tikkas, biryanis and sandwiches.

The Tandoor section has some old and new favourites. The Tandoori Chicken is an appetising mix of tender and crunchy chicken while the Spicy Grilled Laska Chicken, which is one of the top customer choices, lives up to its fame. It can come across as a tad over-grilled for some so let the chef let you know how you would like it to be as the staff is friendly and open to suggestions.

The Punjabi Tangri is a spicy and flavourful delight that deserves a special shoutout while the Chicken Malai Tikka is a mouthwatering juicy grilled chicken with the creaminess of the marinade elevating the taste of the dish.

Vegetarians can choose from options like the Classic Paneer Tikka (soft and succulent cottage cheese pieces that make for a simple yet zingy dish), Cheese and Mushroom Stuffed Paneer Tikka (juicy paneer slices that melt in your mouth though the taste of cheese and mushroom may not really come through), Grilled Bharra Bharra Mushrooms (a spicy and delicious treat that enlivens your taste buds) and Veg Navratna Sheekh (a simple offering with somewhat soft flavours).

The biryani is the USP of the place and rightfully so. Aromatic long rice is cooked in wood fire to get the authentic taste and mixed well with succulent pieces of meat or fresh veggies in a tangy masala. The portions are generous and served with a thick raita and curry and is a must-try for everyone. There are also a variety of Indian breads.

Chefactory also offers meal boxes and mini meals. These are combinations of biryani or kebab, curry and Gulab Jamun (the only dessert in the place as of now but a heavenly one at that) and are reasonably priced to fill the tummies of even the hungriest among you. For those looking for something lighter, there are sandwiches and rolls. The sandwiches are an Indian version with cheese, green chutney and no mayonnaise and a general hit among the regulars.

The place also has delivery facility and has specially created boxes with impeccable packaging to make your office lunches a less messy and more enjoyable affair.

Chefactory is located in HAL 3rd Stage extension, Jeevan Bima Nagar.

The most powerful emotions can be conveyed best through expressions without help of words. David, where Sandalwood actor Shreyas Chinga portrays the character of Gautham, the son of a rich NRI who returns to India after a long stint abroad, is something to watch out for.

The actor says getting the expressions right was the toughest part of working on David, a suspense thriller where every actor has been hand-picked. Shreyas says that the film has been made on a grand scale.

The latest news to draw peoples attention, is the release of a teaser, introducing the lead role. The teaser is catchy and does well to arouse ones curiosity. "I like the way my character unfolds. How Gautham transforms from being a quiet and simple guy to someone who takes it upon himself to find those responsible for the loss of his friend is what is impressive. The change of emotions and how that is communicated was indeed tough to portray," says Shreyas.

The actor has three major fight sequences in the film and each sequence has been structured in a different way.

"There are scenes which showcase a hand to hand combat and some other scenes have dealt with raw fighting. The climax fight scene was shot at Minerva Mills and that is the highlight of the movie," he says.

Elaborating on the choice of Minerva Mills, Shreyas says that the whole space had been transformed to resemble a grand set.

"There were 200 lights brought in and 300 odd men on ground involved in shooting a sequence. We have showcased Minerva Mills in an entirely different light," he adds.

Playing Gautham was not easy, concedes Shreyas. "It was hard to play Gautham because he talks through his eyes and perfecting that bit was a tough ride. His is a silent character," he adds. But the transformation of Gautham, when he looses his dear friend was not hard to showcase, says Shreyas. "Those emotions were easy to connect to because I too lost a dear friend and I could relate to the situation and understand the emotions well,"he adds.

Shreyas always believes in giving every character his own interpretation. "I believe in creating my own style, mannerism and acting skill. I want to create a space of my own and not get ahead by competing with other people. I respect the art form which is why I got into it," he says.

The actor has been involved on the production side as well. "I like to get an insight into and contribute to every aspect of filmmaking rather than just get stuck in one thing,"he signs off.

Director Ravi Ram says helming his latest venture, Raja Simha, with actors Ambareesh, Anirudh and Dr Bharathi Vishnuvardhan in the lead was indeed a memorable journey.

The film, which is a sequel to the earlier Vishnuvardhan-starrer, Simhadriya Simha, is a commercial entertainer that captures the journey of a mother and son, who are involved in social work.

"Anirudh plays the character of a young man who runs an NGO and his mother (played by Dr Bharathi Vishnuvardhan) supports him in his work. Theres a twist in the tale when Anirudh falls in love with a girl and follows her to her village in an effort to win over her love. The story takes a dramatic turn there. I cant reveal more details because I will then be giving out the story," says Ravi.

Ravi says that every actor in the film has played their part to perfection. "The actors infused life into the characters. Ambareesh has portrayed the role of a powerful man in a village very well. The grandeur of the character has been brought out very well by him. Bharathi has effectively portrayed the role of a mother. Her belief in doing good for the less fortunate and commitment to alleviating the position of the poor is something to watch out for. Anirudh has played his part exceptionally well," adds Ravi.

About the challenges faced during the making of the film, Ravi, says that he was apprehensive if he would be able to pull of such an important film.

"Anirudh was with me at every step. We would discuss every scene and that helped take the film forward without a hitch. It was an amazing experience to shoot with such popular actors," he signs off.

Actor Praveen Tejs fifth film Churikatte released on Friday. The actor feels that the crime thriller will be a great beginning for the year ahead. The actor hopes to impress the audience with his acting skills and bag more impressive roles soon. In a candid chat with Tini Sara Anien he talks about his role in Churikatte and more.

How excited are you?

After being in the industry for almost 10 years and having acted in Jolly Days, Aantharya, Simple Aaginnond Love Story and 5G, I am happy to be in Churikatte. I have been a part of TV serials and reality shows too but movies are a different ballgame. I am looking forward to how the audience will accept the movie.

What is it about the story that made you take it up?

The movie is special as it has a very sound technical team and a great director. The storyline of the film was magnetic. When the director, Raghu Shivamogga of short-film Chowkabara fame called me to narrate the story, I was instantly impressed. The story is based on the timber-mafia and Churikatte is the name of a village. The movie is very realistic and inspired by things we see around us.

Tell us about your role...

I play Adi, who is in search for a job. The movie was exciting to work in as it is a crime thriller. It was a challenging role. I started preparing for my character while the pre-production work of the movie was going on. Whenever we went for location hunting and interacted with people it acted as the homework for my role.

According to you, does the audience appreciate thriller movies?

Thriller movies with a good storyline are attracting many moviebuffs to it. These movies keep one on the edge of their seats. We are sure that our movie will click well with the audience. In our movie, one can see romance, action and the different commercial different elements required to impress movie-goers but the movie is very real.

Is realistic cinema the latest trend in the industry?

Movies are not only for entertainment. Every movie should tell a new story. All stories should be narrated with new angles and innovation. Films should always have a new style of storytelling.

Do movies have a success formula?

Trends change often and filmmakers should be in tune with these changes. I often work in movies keeping the audience and their thought process in mind. Technical aspects and the narration of the story also come into the picture. A lot of work goes into the pre-production nowadays. There is no shortcut to success.

A role that you want to work in...

I dont believe in dream roles. I just want to be a part of good stories.

How does 2018 look for you?

I believe that this will be a good year. If things fall in place, I will have three more releases in 2018 which will include BMW. I am hoping for big things!

Bengalureans are making a beeline for Padmaavat undeterred by all the furore over the movie elsewhere in the country. Most viewers felt there is nothing offensive about the films content. Many concede that it is curiosity that drove them to watch the film. They admit to being overawed by the sheer scale at which the story has been shot.

The shows at single-screen theatres like Rex on Brigade Road, Everest in Fraser Town and Cauvery Theatre ran to packed houses, but the multiplexes didnt have as much of an influx.

Shivani Agarwal, a professional, says that she could sit through the movie only because of Ranveer Singh and Deepika Padukone.

"I didnt find the story that great. But I think Ranveer has done an exceptional job. I have never seen him in this avatar before. His expressions are out of the world," feels Shivani. She also adds that she found Deepikas costumes and acting very impressive.

The protests that broke out in several places across the country were
unwarranted, feels Deepthi Gupta, a movie buff, who says that she found nothing offensive about the content and characters. "While I could see that Ranveer was totally involved in his character, Shahid was subtle and Deepika stood out for her jewellery and outfits. There werent dialogues or gestures that were offensive. It is a clean film and a thorough entertainer," says Deepthi.

She thinks even those who protested would surely take back their words once they have watched the film. There were a few others like Spurthi Prakash, who felt that the combination of Ranveer, Shahid and Deepika worked like magic on screen. "Deepika literally holds the story through and the power in Ranveers character is to be seen to be believed. I also like the way the film was picturised. It was a brilliant watch," she says.

The bandh on Thursday left a couple of people, who had booked the tickets for noon show, a wee bit disappointed. Sheeba Kanan, a student, says that she booked tickets for the noon show on Thursday but the bandh spoiled her plans.

"I got the ticket amount refunded and watched the movie the next day in the same theatre. I was disappointed that I couldnt watch it on the day of the release."

Sukrithi Sharma, a housewife, who watched the show at Rex yesterday, says that she went with about 25 people and chose to go to Rex because she found the ticket prices to be reasonable.

"We were just lucky to get the last few tickets that were available. I enjoyed watching the film because of the grandeur and larger-than-life characterisation. The story has fallen flat but the grand show put up by the actors has more than made up for the flaws in the script," says Sukrithi.

It was a day of pure fun. The Republic Day Fun Run, organised at the Queens Statue, Cubbon Park, saw ordinary people going the extra mile.
Organised by Colors Pinkathon Bengaluru-inspiring partners Bajaj Electricals Ltd, it was a promo event for the Pinkathon run scheduled on February 18.

The run saw many fitness enthusiasts of all age groups putting their running shoes on. Among the many runners was Anubha Srivastava, a lawyer who has been participating in Pinkathon for the last three years.

She said, "It was a very special run for me. Most women who ran were in saris which gave the run a twist of tradition. This event was sure to show that women can come out of their homes and still be comfortable in their own space without having to change for anyone else -- not everyone likes to wear track pants and run. It was amazing to see my friends mother-in-law, who is 90-years-old also taking part in the three-km-run."

The fun part of the event was that women brought different kinds of ladoos made without using sugar but other natural sweeteners like jaggery and dates.

Anubha used jaggery, flax seeds, dates and ginger to make her signature ladoos. On asking what motivated her to wake up early in the morning and run, she said, "Taking care of my health and getting some me time motivates me. I have lost 16 kg of weight without much effort but just running. Making new friends and keeping each other inspired is another motivational factor."

Sreedevi Raghavan, a banker, who leads a busy corporate life said, "As women, we work as much at home as at our workplace. In the middle of all this, we either crib that life is tough or we become tougher. And to become tough, we need to be fit by considering nature as our gym and putting on our running shoes."

She added, "Sari run was special to me because I am someone who loves to wear a sari. However, most of us feel a little inhibited but if we look back, we have so many women doing heavy tasks every day in a nine-yard sari. So, you see, there is no excuse for fitness."

Veda Kadni, an Ayurvedic doctor, highlighted the fact that for most women health has never been a priority. She has been running Pinkathon since 2016 and she has been an active participant.

"As running a marathon demands women to wear a particular kind of attire, this fun run was a huge surprise. The fact that everyone could run comfortably in saris was quite amazing to see. Every woman has it in them, it is all about a push," she says adding, "A like-minded event like this one is a motivation and has the capability to inspire other women."

Bollywood actor Anshuman Jha started his career as a theatre artiste at a very young age. He made a name for himself in this world and is best known for his work in the movie Love Sex Aur Dhokha. His performance in his last four releases Yeh Hai Bakrapur, X: Past Is Present, Chauranga and Mona Darling has been widely applauded. Anshuman also turned a producer with Mona Darling under his banner First Ray Films. Anshuman will next be seen in movies Angrezi Mein Kehte, Robinhood Ke Pote and Ishwar.

The talented actor talks to Surupasree Sarmmah about his journey in the industry.

You started your career with the movie Love Sex Aur Dhokha (LSD) which was a hit. How did you get into acting?

My acting career began long back with Prithvi Theatre when I did my first play at fifteen. It was called Jhagrapoor by Ramnath Tharwal. It all began there. I am from Delhi and used to visit Mumbai to visit my sister. She used to put me into these summertime acting workshops at Prithvi Theatre. One play led to the other and it so happened that during one such workshop, Ramnath Tharwal cast me in his play and then it became a yearly routine. I soon completed my Diploma Acting Course at Barry Johns Academy. I also acted in Berrys Its All About Money Honey. But, as a famous director once told me, I look like a kid, so I should not look for work until I am 24 or 25, therefore, I only did theatre and worked as an assistant director for a few films. I went for a screen test for LSD and they selected me. Thats how it started.

An experience you cherish from your journey till now?

The first call of confirmation for LSD. It is so well enriched in the memory. Director Dibakar Banerjee is my favourite filmmaker in India and I had absolutely loved his previous movie Khosla Ka Ghosla. Getting an opportunity to work with him was a dream come true.

You have also assisted Shubash Ghai for three years, how was that experience?

Phenomenal! It was like a blessing for me. Khalnayak is again one of my favourite films from the 90s and Subhash Ghai is someone who has given so many blockbusters to the industry. I worked with him on a film called Black and White which was a very different movie than what he usually makes. The kind of exposure I have got working with him taught me a lot. I dont have a Godfather in the industry but I can say I have many guide fathers, who came to my life at different points and guided me to become an actor.

Which genre would you like to explore?

My next film is called Angrezi Mein Kehte, which is a romantic comedy. This was one genre I wanted to do and I am really glad, I got a chance. This movie is a comedy with a lot of soul in it. For me, it is not genre specific, but films where I get to work with great and different kind of directors. Zoya Akhtar and Sriram Raghavan are two directors I would like to work with.

Any advice that changed your life...

There are a few actually. Shubhash Ghai once told me, more than looking and talking like an actor, you should wait like an actor, dont be in a hurry. Anurag Kashyap told me to keep working on myself. And thats what I have been doing. Whenever I have free time, I keep learning a new craft;
either a new form of martial arts or take up dance and singing classes. I am never idle.

Your all-time favourite movie...

Rush by Ron Howard. I am a huge Formula One fan and this movie was a delight to watch.

Looking back across the years, I seem to have spent a large part of my boyhood on trains - the small train taking me up to Simla and my boarding school; the overnight train to Dehradun, to my mothers and stepfathers home; or trains along the coast, trains across the desert, trains through field and forest. And sitting on railway platforms, waiting for trains to arrive or depart. No wonder so many of my earlier stories are set in trains or on railway platforms.

Well, this is a new story about my life, of when I was ten and coming home to Dehra for my winter holidays, a few months after my father had been taken from me by Deaths dark angel.

And heres the train, chugging through a gap in the foothills, the green-and-gold steam engine giving out a shrill whistle as it plunges into the forest, warning the jungle folk of its approach. The deer and the wilds boars scatter, but an elephant takes up the challenge, trumpeting a response from the shallows of the little Suswa River. The train rumbles over a bridge and a small boy looks out of a carriage window, at the clear waters of the stream and the little wayside station that stands beside it.

The train slows down - theres a rise in the gradient - then picks up speed again and emerges from the forest, rushing past small villages and fields of rice and waving wheat and yellow mustard. A village boy sees the boy at the window and waves to him, and the boy in the train waves back. A bond has been created - if only for a moment in time, but a moment captured forever.

The train moves on, through the rolling pastures of the Doon. Cows graze; buffaloes wallow in ponds; herons alight on the buffaloes. I am the boy at the window; a sturdy boy, but a little pensive, a little gloomy, wondering what the future has in store for me. I havent seen my mother for over two years. My stepfather I saw only once, in his photo studio, when my mother took me there to be photographed. I remember him only as a thin man behind a mounted camera, and that he had a thin moustache. This was a year or two before my parents separated - before I went to stay with my father in Delhi.

The engine slows down again. We are approaching the Dehradun station, the end of the line. Will somebody be there to meet me? My mother perhaps, and my young brother. Possibly even my stepfather, Mr Hari.

There are other boys on the train. They tumble out on to the small platform to be greeted by fond parents. Hugs and kisses abound; I am the last to get down from the compartment. I look up and down the platform. There are no familiar faces. Perhaps they have sent someone for me. So I wait. I wait for the crowd to thin out, for the clamour to subside. A coolie stands at my elbow, eager to pick up my trunk and bedding roll and earn half a rupee. I ask him to wait. "Somebody will be coming," I say. But no one comes.

***

Half an hour passed, and I was sitting alone on an empty platform. I couldnt remain there all day. There was only one thing to do - engage a tonga and go to Grannys house, on Old Survey Road. I had the number of the house and a vague idea of the direction in which it lay. I didnt have any other address.

The patient coolie loaded my trunk and bedding roll on to a tonga, and I paid him with
the last of my travel money. If there was no one at Grannys house, who would pay for the tonga? And to make matters worse, I hadnt had any breakfast!

Clip-clop, the tonga pony went trotting through the town, the flimsy carriage rattling and swaying along. I was in the front seat, beside the driver. The pony raised its tail and passed wind. Welcome to Dehra!

Dehradun, the little town famous for its lichee trees. Yes, there they were, surrounding almost every bungalow; neatly spaced out, unlike the tall, spreading mango trees that overlooked them.

We bumped along for almost half an hour, then came to a gate with the number 6 painted on it. I recognised the old railway-style bungalow (built by my grandfather on his retirement from the railways) and, the big jackfruit tree growing against the veranda. The gate was open and we rattled up to the porch. No one seemed to be home.

"Granny, Granny!" I called. "Is anyone home?" All was still. Then, a sudden squawk, and I was almost deafened by a large parrot shrieking at me from its perch above a hanging basket.

"Ring the bell, ring the bell!" it screeched. It had obviously been trained to say this to unwary callers.

I found the bell and rang it. Presently the front door opened and my granny stepped out...

"Ruskin!" she exclaimed. "What are you doing here?"

"Im home for my holidays, Granny. Wheres Mummy?"

"Didnt she meet you?"

"There was no one at the station. I took a tonga and came straight here."

"They dont live here. Your mother and - and the rest of them - live in Dalanwala. Its strange they didnt receive you."

So she paid the driver his fare and gave him careful instructions as to how to find my mothers and stepfathers house.

We were welcomed by a cook-cum-bearer called Mela Ram, who was surprised to see me.

"They thought you were coming tomorrow," he said. "They are out hunting - shikar - and wont be back till evening."

Afterwards, while unpacking in the bedroom, I encountered three toddlers playing with a train set.

"One is your real brother," said Mela Ram, indicating the boy who looked a bit like me. "The second is your half-brother. And the third is your half-brothers other brother."

Where have all the tigers gone?

My mother and stepfather returned late at night, after we had all fallen asleep, and I did not see them until the following morning. As they had slept late, it was almost noon before my mother came into the large bedroom that I was sharing with my brothers, gave me a hug and a kiss and wanted to know why I had arrived a day early!

For several days I was left to my own devices. Missing my father, I went for long, lonely walks along the little lanes around Dalanwala, the area where we were living.

And so, hands in the pockets of my grey flannel shorts, I explored the roads and byways of Dehra. When my mother gave me pocket money, I went to the cinema. And I discovered a little bookshop - where I bought comic papers and film magazines. There were some books at home - mostly Westerns - and I went through the works of Max Brand, Luke Short and Zane Grey. There was also a copy of Little Women. Although this was considered a girls book, I thoroughly enjoyed it. Quite a reader by now, I was up for reading anything that came my way.

One day, out of sheer boredom, I put the three boys in a pram and took them for a long ride. Down the road, past the house and down to the little riverbed that separated the town from the jungle. Most of the riverbed was dry, full of boulders, but a thin stream ran through it. We were paddling about in the shallow waters, having a great time, when I noticed an elephant standing on the other bank of the riverbed.

Elephants are friendly enough when their mahouts are with them, but this one looked like a wild elephant, separated from its herd.

"Hathi, hathi!" called the children, pointing towards the tusker.

The elephant began to walk into the riverbed, probably in search of water, and I thought it prudent to head for home. I bundled the three brothers into the pram, struggled to climb up the stony bank and did not stop pushing until we had reached the pukka road. Looking back, I saw that the elephant was now in the middle of the riverbed. It was unlikely that it would enter a residential area, but I did not wait to discover its intentions. Helter-skelter, the pram, the children and I rattled along the narrow road until we arrived safely at our gate.

(Excerpts from the book Till The Clouds Roll By by Ruskin Bond, published by Puffin Books)

He is a New Yorker in Washington, far more consumed with the news media and personalities than policy issues. He elides facts, fudges the specifics and dispenses with professional norms in the service of success and status. And while affecting a contempt for the mainstream press, he cannot help dropping the mask to reveal the double game he is playing. I am talking, of course, of the writer Michael Wolff, who with Fire and Fury: Inside the Trump White House has delivered an altogether fitting, if ultimately unsatisfying, book on the chaotic first nine months of President Trump, another media-obsessed Manhattanite.

Wolff is, to borrow a recent phrase in the news, a sort of perfectly grotesque Boswell to Trumps Johnson. The duo are a match made in heaven, or perhaps due south. Fire and Fury has detonated as few contemporaneous political books ever have, gripping an angry presidents attention for days, reigniting questions about his mental stability and prompting the excommunication of Stephen K Bannon, Trumps former chief strategist. Yet what makes Wolffs account at once undeniably entertaining and lamentably unrewarding is precisely what makes covering this administration so frustrating. Politics and elections are my beat, so I can easily get pulled into stories about the Trump White House. But while the accounts can be sublime, at least to a scoop-hungry reporter, they can also leave one unsatisfied.

To put it mildly, it can be hard to attain the unalloyed truth from a president who has long boasted of gaming the press, or from competing courtiers who often wield insider anecdotes as sword and shield in their efforts to protect themselves and bloody their rivals. Then there is the sheer outlandishness of the Trump era: when most anything is plausible it is also printable, but that does not necessarily mean you are getting it right.

Wolff addresses the inherent challenge of reporting on this White House in an introductory authors note, explaining that the recollections of sources can collide with one another and in some cases be untrue entirely. "Those conflicts, and that looseness with the truth, if not with reality itself, are an elemental thread of the book," he says. To confront his problem, Wolff notes that there are times he lets "the players offer their versions, in turn allowing the reader to judge them." Unfortunately for the reader, he throws up his hands when dealing with three of the most pivotal moments of the Trump campaign and presidency.

In recounting the 2016 gathering at Trump Tower among Donald Trump Jr., the campaign chairman Paul Manafort and Jared Kushner, the presidents son-in-law and close adviser, and a group of Russians promising damaging information on Hillary Clinton, Wolff offers several "why-and-how theories of this imbecilic meeting." But he does not settle on any one of them.

Second, in recalling the moment on Air Force One a year later when now-President Trump worked to produce a statement for his son minimising the meeting, Wolff does not attempt to assess the veracity of the declarations of Kushner and his wife, Ivanka, that they were not part of any cover-up. "Ivanka, according to the later recollection of her team, would shortly leave the meeting, take a pill and go to sleep," Wolff writes. "Jared, in the telling of his team, might have been there, but he was not taking a pencil to anything."

Wolff turns to the same device, only from the voice of the opposing camp, in recounting Trumps fateful decision to fire the FBI director James Comey. "It was Jared, in the version told by those outside the Jarvanka circle, that pushed for action," he writes.

Wolff is unsparing in his portrayal of Trump as an aberrant chief executive, not only detached from governance but barely literate. He summons withering on-the-record assessments from ostensible allies of a seemingly infantile president. "If they tell him the whales need to be saved, hes basically for it," says Katie Walsh, a former White House deputy chief of staff, recalling how easily the Kushners could sway Trump. Yet much of Wolffs sourcing is opaque. "Ive made stuff up forever, and they always print it," Trump boasts about his long-running media con. But Wolff, with seemingly unintended irony, does not make clear where he harvested such an explosive line.

Wolff is a media writer by trade and, like his protagonist, he repeatedly scorns the mainline press for what he suggests is its liberal bias. He singles out this paper for treating the Trump presidency as anomalous. Yet putting aside the irony that his own depiction sketches out a shockingly aberrant White House, Wolff shows that his media-bashing is not on the level when he switches from the Ailes hymnal to a more conventional liberal perspective.

In a jab at the media, he calls Richard Spencer, the racist alt-right activist, "catnip for the liberal press," but then effectively makes the liberals case by giving Spencer an open mic to proclaim "we are the Trump vanguard." And Wolff casually refers to a "virulent, if not anti-Semitic (at least toward liberal Jews), right-wing West Wing."

Wolff is strongest when hes writing on what he knows best: the insecurities and ambitions of Trump and other media fixtures. Yet while much of this presidency does revolve around news coverage, it is still a presidency. And Wolff is far weaker when it comes to politics.

The collapse of the Affordable Care Act repeal in the Senate is dealt with in less than a single sentence, with no mention of Senator John McCains opposition or Trumps 11th-hour telephone call to him that preceded it.

Vice President Mike Pence is largely airbrushed out of the book, which is puzzling given how influential he was in tapping cabinet officials and staff. Similarly, few would see Andrew Card or Erskine Bowles as "larger-than-life" presidential chiefs of staff; the conservative United Nations ambassador Nikki R Haley is hardly a Jarvanka Republican; and at a September campaign rally in Alabama for Senator Luther Strange, Trump did not abandon Strange "for the rest of the speech" after criticising NFL players for kneeling at the national anthem.

Then there is the sloppiness: the former representative Dick Armey was never House speaker, the Washington lobbyist Hilary Rosen spells her first name with only one l and it is Mike Berman, Walter F Mondales former counsel, who breakfasts at the Four Seasons, not the Washington Post reporter Mark Berman.

The writing is often vivid but Wolff, who tries to hold to a chronological narrative, can be as repetitive as Trump, returning again and again to preferred words or phrases (joie de guerre is a favourite).

What ultimately salvages the book are those moments when he all but makes Bannon his co-author, letting Bannon describe West Wing showdowns with his moderate nemesis, Jarvanka, in ways that render this the de facto first insider account of the Trump White House. Of course, the recollections are just those of a single aide, and may include what Trump himself once called examples of "truthful hyperbole."

In the newspaper business, such stories would be deemed too good to check. But given the popularity of Fire and Fury, Wolff might call them something else: liberal catnip.

The New York Times

Its the year 1943. World War II is on. No country, and its people, whether neutral or otherwise, are spared. The lives of Jews are in danger. They are being picked up by the Gestapo - from their homes, workplaces, and streets - and their fate after that is unknown. Troubled times.

Last Train to Istanbul unfolds in these turbulent times, and alternates between Turkey and Paris. We get a glimpse of the repercussions of war through the lives of Selva and Rafael. Turkish nationals, lovebirds Selva and Rafael flee their homes due to the strong opposition from their families for their marriage, Selva being a Muslim while Rafael, a Jew. Having made Marseilles their home, they live in the fond hope of leading a comfortable life in their adopted country, far, far away from all the social harassment their union has invited on them in their home country. But, deep down, they miss their home, their people, their families.

Likewise, their families too miss them. Especially Selvas sister Sabiha, whos also dealing with demons of her own. Missing her sister on the one hand, while coming to terms with her fluctuating feelings for her husband Macit, a Turkish Foreign Ministry official, whose wartime busy schedule keeps him away from home for extended hours. Well! Life proceeds thus. Till the day Nazis invade France, whose only mission is to round-up Jews, irrespective of their nationalities, and deport them to ghettos. Moving around in the town becomes a nightmare for the couple, owing to Rafaels identity as a Jew. "Rafo (Rafael), like all the other Jews, checked carefully before going out. Venturing out of doors while the SS were patrolling was asking for trouble."

Finally, the couples worst fears come true. Rafael is picked up by the Gestapo and taken to an undisclosed location. It is at this juncture that Macits influential position in the Foreign Ministry comes to aid. His diplomatic contacts in Marseilles strive for Rafaels release, and succeed, much to Selvas relief.

Sensing the threat to their countrymens lives, the Turkish Consulate decides to have a special train transport Turkish Jews to Istanbul. In a humane gesture, they prepare forged paper for non-Turkish Jews too, to enable them to board the train. The train to safety. The train to freedom. The last train to Istanbul. This gesture by the Turkish Consulate takes us back in time to 1492, when Beyazid II, the eighth Sultan of the Ottoman Empire, had invited 2,50,000 Jews expelled from Spain to come to his country.

With assistance from the underground resistance, the plan does materialise, and the train does leave the station, to traverse a war-torn continent, crossing enemy lines all along the way. Selva and Rafael too are on this train. They cant wait to get back home. To their families. To the realisation that nothing under the Sun - not war, not religious identity, not hatred - is strong enough to threaten familial bonds. But, will this train make it safely home? Well, that is for you to find out...

This novel by Ayse Kulin charts the historical facts relating to World War II. As we thumb through the pages, we are introduced to the particulars and events leading up to Turkeys involvement in the evacuation of Jews from Paris to Istanbul in 1943. Though filled with extreme historical details, it turns out to be an interesting page-turner owing to the weaving in of myriad stories that underline the strength of love and familial bonds. Proof enough of the authors flair for writing. Intense research that must have gone into the writing of the book flashes at every point, making the Last Train... intensely engaging. The fact that the book is partially based on the stories told to the author by Turkish diplomats adds to the allure of the book, lending it a realistic feel.

The narrative begins slowly, and even as we are introduced to the various characters that people the book, it quickly picks up steam. We find ourselves drawn into the politics of war and flipping the pages at a frenetic pace. Especially towards the end, when the dramatic rescue operation is on. The book evokes several emotions, all at once - shock, awe, sadness, and disbelief.

The author has lent all her characters, especially Selva and Sabiha, such great charm that their strength of character lingers in our minds long after we have closed the book. So real, so relatable, each with their eccentricities and ordinariness. With its action, mystery, drama, romance, and above all, politics, the book can very well make it to the big screen. Theres one complaint though - the editing could have been a lot better.

A little child sits outside his door playing when suddenly, his toy is snatched away by an older boy. The two children begin grappling in the middle of the street, much to the inappropriate merriment of onlookers and neighbourhood residents. Chaplin walks right into this drama and attempts valiantly to pull the boys apart. But eventually, he gives in to the entertaining nature of their squabble and joins the cheering onlookers! Of course, all this is happening not on a real American street but on one of the many screens at the shopping area at Chaplins World, an experiential museum created by Grevin.

The museum, in Switzerlands Corsier-sur-Vevey province, consists of three sections - a studio, housing paraphernalia and recreations from Chaplins landmark films and personal life; Manoir de Ban, which is where he resided with wife Oona Chaplin and their children for 30 years; and the four-hectare park which offers serene views of the Alps and shelters a variety of trees.

Chaplin the man

Chaplin was not a big fan of Christmas as it reminded him of his difficult childhood days in London, but strangely enough, it was on December 25, 1977, that he breathed his last. To commemorate his 40th death anniversary, Eugene Chaplin, his fifth child, was present at the manor, along with the architects and designers of the museum.

"My father was a very hard worker. Once wed gone to school and were out of the way, he had the house to himself and would start composing or writing his own biography. He also loved playing the piano, while my mother operated the movie projector. His main message to me was - whatever you do, give it your best," says Eugene, a recording engineer and documentary film-maker.

We learn that while Chaplin was reasonably integrated with the local community, he barely spoke French, though his wife was fluent in the language. He was also a strict disciplinarian who ensured that all the Chaplin children followed a strict schedule. In early December 2017, an ice sculpture of Chaplin was also unveiled at the stunning Ice Palace at Jungfrau - a lasting tribute to the comic genius who made Switzerland his home.

The studio

We walk into a likeness of the dreary London streets that Chaplin grew up in, complete with a wax figure of his mother, and a market and a fruit stand. East lane became the backdrop for many of The Tramps adventures, and Chaplin spent a whopping 10,000 dollars to create a realistic set. We then stumbled upon The Circus, a recreation of Chaplins 1928 film where a revolving joker performs in the middle and the onlookers consist of famous silent-era actors like Buster Keaton and Laurel & Hardy.

In the basement, we marvelled at relics from Chaplins famous films including the teetering cabin from The Gold Rush and the machine from Modern Times. Strewn across the studio are 30 stunning wax statues of known figures like Albert Einstein, Winston Churchill and Michael Jackson, all of whom impacted Chaplins life in some way or the other.

At the studio, various exhibits allow a glimpse into the technicalities of producing silent films, the costumes Chaplin used, and the numerous awards he garnered.

The manor

The Manoir de Ban is lovely from the outside - a medium-sized white cottage set amidst acres of greenery. We step in and find the living room, library and dining room preserved to such perfection that it would be quite natural to find Chaplin entertaining some friends for dinner or applauding his friend Clara Haskils prowess with the Steinway concert piano. On the first floor, we confront the more intimate parts of Chaplins life - the rooms he shared with his wife, family portraits, and the furnishings he picked out himself. Chaplins love for travel is evident from a room filled with suitcases, and a wax statue of Sophia Loren stands next to a wall covered with black-and-white photographs of Chaplin and his friends.

The park

Chaplin was a true lover of nature, and he writes in his autobiography of being lost in the magnificent serenity of the lawns, the lake and the Alps in the distance. Chaplin and Oona often lunched in the park under the awning of a tree. Deer, foxes and badgers were attracted by the vast collection of trees in the park, including maple, beech, elm, poplar, spruce, cypress, pine and cedar. Walking among these centuries-old trees in the rain-scented air is a rare joy. I find a wayside bench and gaze at the faraway mountains like Chaplin used to. And I feel as glad as he did. The night of the 40th death anniversary commemoration, we even ride a hot air balloon emblazoned with Chaplins likeness.

The Tramp

Our exploration of Chaplins World ends at around lunchtime and we are pleased to find a restaurant right on the premises. The Tramp is, as youd expect, a Chaplin-themed restaurant with kitschy décor elements like hanging bulbs, artistic portraits of Chaplin and muted lighting that complements the wooden tables and chairs. The service is a little slow, but the delicious food and drinks more than make up for it. We gorge on mushrooms in cream, oriental fish and rice, and meringues with sorbet for dessert.

Before leaving, we pick up a few souvenirs from the shop at the entrance area. There are mugs, coasters and posters inscribed with Chaplins humorous quotes to choose from.

Chaplin spent the last 25 years of his life in Switzerland after he was exiled from the US in 1953. Having never possessed the American citizenship, this boy from London ended up being more Swiss than British or American. Its a fact that finds resonance in every nook and cranny of Chaplins World.

Life was so much simpler when I was a small girl, although, to be honest, I think everyone just assumes that irrespective of how old they are. But back then, in books and movies, good people survived and the bad guys either died or were shipped off somewhere, although that wasnt always the case.

Cut to the present when literally, anything goes. I mean, anything. When I first watched Game of Thrones, (I hadnt read the books), I had just assumed that good people would somehow be saved at the end of the day, yada yada, and then there was Ned Starks head swinging freely, detached from his body. Sorry for the spoiler, in case you havent seen it yet.

Anyway, what began at the beginning of this year in Chennai at a school where I did a creative writing workshop is something I have continued doing, much like an experiment with all the young students I interact with. I ask them who their favourite character is. They come up with the usual suspects - Harry Potter, Percy Jackson, Hermione, Katniss et al. Then, I ask them if they like bad guys. Many heads nod in the audience.

What kind of bad guys, I ask? Voldemort? More nods. I remain surprised every single time, and even more so at their reasoning. The kids in Chennai told me that they liked bad guys (theyd included Darth Vader too) because they didnt give up, even when the odds were stacked against them. "They dont stop trying," a young girl said, her eyes lighting up. I was taken aback at how much thought these kids had given to bad guys and why they liked them.

Since then, the answers Ive received have been enlightening. Reasons they like Voldemort - no one knows his side of the story (to be honest, Im not so keen for a spin-off with Voldemort, so please nobody tell this to JKR); hes misunderstood (really?); hes cool because he doesnt have a nose (not making this up), and they sympathise with him and everything hes been through. I might have given this benefit of the doubt to Severus Snape, who was consistently horrible throughout the books but turned out to be something else. Or to several of the characters in TV shows today that I watch with my kids - Arrow, Flash etc - where no one bats an eyelid at the main protagonists being vigilantes, where its actually something kids aspire to, so much that these characters are called heroes.

Also, heres another guilty admission. How about those godawful vampire movies? Technically, vampires are supposed to be bad since they suck blood and kill people, but in these movies and subsequent TV shows, all this blood-sucking was completely normalised. So much that it became difficult to draw a line between good and bad. For the longest time, I actually watched a TV show called The Vampire Diaries and my favourite character was the bad guy who turned out to be so good that he got the girl at the end of the show. Yikes.

I think the whole concept of good and bad has been turned on its head for quite some time and this isnt even new. Remember Sydney Carton from A Tale of Two Cities? Or even Heathcliff? Then again, the kids I ask this question to, have no clue who these bad guys are. To them, most of the bad guys are misunderstood and yet, very cool. One of my younger participants called out from the audience once, saying, "They have powers and theyre not afraid to use them!"

After each workshop I conduct, I come away with something new, an insight gained into the minds of young people today. While Im perplexed at their inability to see good and evil in a more black-and-white form, I also feel heartened that theyre willing to give the benefit of the doubt to even bad guys. Maybe theres something to learn here, an understanding of basic human nature, and perceptions of kids today. But then again, Voldemort? Hes pure evil. And he doesnt even have a nose.

Its good for the peace of mind to know that autos have an upper hand in accepting or turning down your outstretched arm. Their rejections are (really) lifes least-scathing nos. With rains, the value of the moving refuge called autos spikes in the city. But on most sunny days though, these elderly essentials may build up surprises of variety...

Dust had layered the seat of the auto. When I asked the young driver a cloth for cleaning, he pointed to the pocket of space at the back of the seat. But then, he sprung up, beat me to it, picked up the cloth and made a quick work of wiping off the dust.

Only when I looked at his frozen face and then his hand did I realise the cloth was a piece of an old underwear!

******

Know that pit stops are features of auto rides. A stop for refuelling, a stop to buy packed lunch, a stop to pick up cigarettes, beedis, or bananas. If youve taken autos for long enough, you adopt such stops into the rides and make nothing much else of them.

The day was an afternoon when the driver uttered, "Ond nimisha (one minute), madam," and exited the auto. Within seconds, he returned and the journey continued, and not long after, it moved at a pace next to stillness. A low stream of murmur from the driver began and his neck hung low. His manner definitely showed that he was drunk. But he was alert enough to ask me for the rupees the metre had counted for the journey so far. He even assured me of having change and offered a palm-sized masalaed fryum wheel!

*****

There are times when auto drivers oblige with the best shortest routes to the destination. I like the speed they take to manage my lateness. However, taking short-cuts doesnt translate into speedy journeys.

Not on that day when the auto driver took the shortest route but slowed down to offer his reverence in the direction of every passing temple and stone shrine on footpaths.

*****

Plonked in the traffic of the city once, the road unseen, the auto driver intrigued the low-spirited me with... "Of course, you can still see traffic-free roads." "Oh, really? Where?" (He had made me a part of a conversation.) "In Rajkumars films," he said. (And it had been a short, smile-bringing one.)

*****

But autos have competition now... A relative shared a cab ride with a person new to Bengaluru. And she noticed that the cabbie dropped the co-passenger a certain distance away from the destination to avoid the hassle of taking a U-turn, and pointed a finger in the general direction of the place. When asked why, he said, "Adu aakaasha torsi, chandran hudkodu antha, madam." (Sometimes, you have to point at the sky and tell them theres the moon, and theyll spot it eventually.)

Standing on the elevated bus stop along the pebble beach of Marina Grande in the Isle of Capri, we couldnt help but notice a few kids playing around. Children pelted pebbles into the sea at an angle and those sank deep into the Tyrrhenian Sea after making a few bounces off the water surface. Often, the waves came roaring into the beach, splashing tiny trinkets of salt water on their faces, driving the kids away from the shore. A brief honk made us scurry inside the crowded bus that took us on a roller-coaster ride from the base of Capri Island to its top, Anacapri.

Capri is a small Italian island located in the Tyrrhenian Sea off the Sorrentine Peninsula, on the south side of the Gulf of Naples. With regular hydrofoils and ferries from Sorrento, Naples and Amalfi - Capri is a favourite day-trip destination among the travellers. Capri Island has two main towns - the centre being Capri, which shares its name with the island itself, and the other located uphill, Anacapri. One can alight from their ferry at Marina Grande and take a funicular to Capri town, or take a bus/cab directly to Anacapri.

Aqua cave

Our first destination of the day was Grotta Azzurra or the Blue Grotto, which was beyond Anacapri, so taking the direct bus was a natural choice. With meandering karst-limestone cliffs on one side and a sheer drop into the Tyrrhenian Sea on another, the bus snaked through the curvy roads at the edge of the island. The hydrofoils making criss-cross patterns on shimmering sea sparkled like the cuts on a diamond from a distance. Narrow paths shaded by olive trees and carpeted by wildflowers welcomed us to Anacapri. From there, we took another bus to Grotta Azzurra, where an adventure awaited us.

Grotta Azzurra is a tiny sea cave on the coast of Capri. This cave has a small opening - just two metres wide and approximately one metre high. Often, during high tides, the entrance to the cave is shut off, thus making it inaccessible. But, luckily for us, the day was clear but still, the choppy waters kept the uncertainty factor intact. After waiting for our turn with bated breath, it was time to immerse in the magical Blue Grotto experience.

The insignificant opening of the cave mouth made us lie down on a four-seater rowboat to emerge on the other side of the grotto, while the oarsman held the chain above and pushed the boat inside. The moment we made it into the grotto, we were surrounded by a magnificent blue all around us, the kind weve never seen till date. The light from outside seeps through the minuscule cave opening, refracting on the surface of the water, forming a bewitching blue glow. The oarsman sang barcaroles that bantered symphony into the rather eerie atmosphere and turned the ride into a romantic sojourn.

But soon, uncertainty loomed over us as the tides became powerful and the water started gushing inside the cave, pushing us away from the exit. The boat alarmingly swayed to the powerful water currents. Our skilful oarsman calmed us down and took a shot at it and rowed with all his power. He held the chain at the cave mouth, instructed all of us to lie down and pulled the boat out of the grotto. Once we were back to the shore, the grotto was closed for the day and the ones waiting had to turn back in despair. We were blessed - both, to come out safely and yet experience the spell of otherworldly Blue Grotto.

In hindsight, going to the top of the island was a good decision. Instead of climbing uphill, all we had to do now was to descend a handsome flight of stairs to access most of the prominent sights. A short bus ride later, we came back to Anacapri and walked down the path surrounded by quaint homes with neatly decked-up gardens where lush bougainvillaea decorated almost every fence.

Monte Solaro is the highest peak on Capri with an elevation of 589 m. From its top, we can get panoramic views of the Capri Island. We can either trek for an hour or take the exciting 15-minute chairlift ride to get to the crown of Monte Solaro. We chose the chairlift way, which actually looks dangerous at first sight, but isnt as scary as it may seem.

Each person is allotted an open chair and a simple rod-like knob locks across the chair. As the chair moves slowly, inch-by-inch, in the middle of a forest, scenes open up into a spectacle offering sweeping views of the island. Altitudes soar and houses with patches of home-grown farms start to appear hazy, while the sea and skies merge into a distinctive blue, forming a mirage at the far end.

Altitude beauty

Atop Monte Solaro, yellow and purple wildflowers hang from the jagged cliffs that plunge into the deep blue Tyrrhenian Sea. Capris famous Faraglioni stacks can be seen from here. Also known as The Three Sisters, these rock structures rise from the sea, perfectly augmenting the fairytale setting of the view from Monte Solaro.

After descending Monte Solaro, again through chairlift, we had a scrumptious filling of wood-fired cheese pizza from a café in main Piazzetta of Capri town.

Our next stop was St Augustus garden which hosts one of the best terraced botanical gardens in town. The gardens of Augustus warrant a romantic walk in the flower-decked terraces overlooking the calm sea and the Faraglioni stacks.

Set on the other side of the gardens is Via Krupp, an engineering marvel - a series of hairpin bends cut from the rock adjoining the cliff, and are carved out so close that looks as though these are overlapped. Though it wasnt open for visitors due to loose falling rocks, just seeing them from above was a sight to behold.

Sun slipped its way into the evening, reminding us that we had a return ferry ticket to Sorrento. We grabbed a few souvenirs to gift folks back home - Blue Grotto fridge magnets and colourful starfish shells were shopped.

As the ferry moved away from Marina Grande, we knew that Capri would be missed - for its unruffled breeze, its vibrant gardens, authentic Italian flavours, zigzag paths, mesmerising caves, and its splendid holiday vibe.